일제강점기 예술사진의 한 양상 연구 - 사진집 <은뢰(恩賴)>의 사진과 야마자와 산조(山澤 三造)를 중심으로 -

Abstract

During the colonial period in the 1920s, art photography began to take place in Korea. Certain information about photography flowing abroad has allowed the world to know the world's global trend of photographs and the trend of art photography. In the 1910’s, the Japanese people underwent this process, and it was in the 1920s that Japanese people began their artistic activities as part of their taste as part of the Western culture. The most frequent form of artwork produced during this time was the scene of a pastoral view of the idyllic surroundings of the ordinary folk scenes. Yamajawa Sanjo, the central theme of the article, was one of the leaders of the photography Society of Colonial Joseon, who held <Jeonjoseonsajinjeonramwhe> and the review of the exhibition, which was the most influence of that time. The problem is the concepts of Art Photography was ‘local color’ of Colonial Joseon. A picture of Japanese occupation, not just paintings that appear most frequently in the area of the ‘local color’ has a local nature of ordinary people against the backdrop of everyday life. To speak on a pastoral atmosphere. In the entire realm of art and literature, " Joseon local color " was an extremely important theme, and it explained that it was an effort to record everyday life and sublimate aesthetically. However, the artistic picture of this poem seems to be beautiful and elegant, but it should recognize that the subtle visual propaganda of the Japanese colonial rule of this era is realistic.