비비안 웨스트우드의 펑크 패션 특성을 활용한 3D 디지털 패션디자인
3D digital fashion design using Vivienne Westwood’s punk fashion characteristics
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
This study explored the development direction of punk fashion through 3D digital fashion design by analyzing the expressive characteristics and inherent meanings of the punk fashion expressed in Vivienne Westwood’s creations. To this end, the concept underlying punk and its expressive characteristics were examined, and the eco-friendly expressive attributes of punk fashion were scrutinized through photos of Vivienne Westwood’s collections. The analysis focused on 10 seasonal collections showcased over the past five years, from the designer’s 2018 S/S to 2022 F/W collections. The results revealed that Westwood’s punk expression was characterized by traditionality, eco-friendliness, playfulness, resistance, and deconstruction. Traditionality appeared in the form of a harmonious redesign of classics to create new works, while eco-friendliness was manifested through the use of slogans and eco-friendly materials and methods. Playfulness conveyed positive messages through comedic situations or characters, and resistance emerged as a means of delivering messages for improving social issues. Finally, the deconstruction of punk was reflected as resistance, boldly destroying fashion structures to express dissatisfaction with society. Punk design in fashion is one of the avenues in which designers effectively express the messages that they want to communicate to society. This study is significant, as it provides foundational data for exploring punk characteristic design strategies to be used in future fashion. The scope of application for 3D virtual clothing programs is expected to expand in the fashion industry, and continuous research on digital fashion design is anticipated.
Abstract
This study explored the development direction of punk fashion through 3D digital fashion design by analyzing the expressive characteristics and inherent meanings of the punk fashion expressed in Vivienne Westwood’s creations. To this end, the concept underlying punk and its expressive characteristics were examined, and the eco-friendly expressive attributes of punk fashion were scrutinized through photos of Vivienne Westwood’s collections. The analysis focused on 10 seasonal collections showcased over the past five years, from the designer’s 2018 S/S to 2022 F/W collections. The results revealed that Westwood’s punk expression was characterized by traditionality, eco-friendliness, playfulness, resistance, and deconstruction. Traditionality appeared in the form of a harmonious redesign of classics to create new works, while eco-friendliness was manifested through the use of slogans and eco-friendly materials and methods. Playfulness conveyed positive messages through comedic situations or characters, and resistance emerged as a means of delivering messages for improving social issues. Finally, the deconstruction of punk was reflected as resistance, boldly destroying fashion structures to express dissatisfaction with society. Punk design in fashion is one of the avenues in which designers effectively express the messages that they want to communicate to society. This study is significant, as it provides foundational data for exploring punk characteristic design strategies to be used in future fashion. The scope of application for 3D virtual clothing programs is expected to expand in the fashion industry, and continuous research on digital fashion design is anticipated.
참고문헌 (56)
- Bolton, A., "Punk: Chaos to couture" (2013), Metropolitan Museum of Art
- Cho, M., "Characteristics of design activism in Vivienne Westwood fashion", Journal of the Korean Society of Costume, 72(6), pp.20~38 (2022)[DOI]
- Guerra, P., "Punk, fashion and aesthetic cosmopolitanism", Journal of Textile Science & Fashion Technology, 3(4), pp.1~8 (2019)[DOI]
- Guerra, P., "Today your style, tomorrow the world : Punk, fashion and visual imaginary", Moda Arte e Design, 12(23), pp.112~147 (2019)[DOI]
- Ha, S. Y., "Characteristics of design elements in environment-friendly fashion : Focus on the content analysis of previous literature", Journal of the Korean Society of Clothing and Textiles, 33(8), pp.1280~1292 (2009)
- "Punk and disorderly: The enduring impact of punk rock on design and culture" (2020)[URL]
- Huh, G. Y., "A study on the characteristics of play in contemporary menswear fashion design", Journal of Basic Design and Art, 21(3), pp.443~454 (2020)[DOI]
- Jang, A. -R., "Semiotic interpretation of Vivienne Westwood’s works reflected punk rock", Journal of the Korean Society of Costume, 39, pp.197~215 (1998)
- "What Is ‘Silkpunk’?" (2022)[URL]
- Kang, M. J., "A study on the characteristics of checked fashion image in the Vivienne Westwood collection", Journal of Korean Traditional Costume, 21(4), pp.127~141 (2018)[DOI]
- Kim, E. Y., "A study on the element of fun in fashion design by Jeremy Scott", Journal of the Korean Society of Fashion Design, 12(3), pp.43~58 (2012)
- Kim, G. -L., "A study on fashion design of Vivienne Westwood : Focusing on since 1980’s", Journal of Fashion Business, 11(2), pp.14~31 (2007)
- Kim, M., "A study on the effect of consumption value satisfaction on brand image and re-purchase intention of eco-friendly fashion products", The Research Journal of the Costume Culture, 32(4), pp.564~576 (2024)[DOI]
- (2014)[URL]
- Kim, S. -J., "A study on the aesthetic characteristic and changes of punk fashion", The Journal of Design, 7, pp.0~25 (1999)
- (2023)[URL]
- Kim, S. Y., "Cape design characteristics in contemporary fashion", Journal of the Korean Society of Clothing and Textiles, 36(4), pp.400~411 (2012)[DOI]
- Kwon, H. J., "Aesthetic observation of punk-fashion revealed after 2000", Journal of the Korean Society of Fashion Design, 15(1), pp.69~89 (2015)
- Lee, M., "Analysis of popular stars’ punk style make-up", master, pp.2019
- Lim, J. -M., "A study on a punk makeup of modern club culture", Journal of the Korea Society of Beauty and Art, 15(1), pp.263~282 (2014)
- (2015)[URL]
- Park, J., "A study on subculture style presented in the 21st century fashion trend : Focused on hippie and punk", master, pp.2010
- Park, S., "The expressive characteristics of sexuality in Thom Browne fashion jacket", Journal of the Korea Fashion and Costume Design Association, 18(3), pp.183~196 (2016)
- Park, Y., "A study on the punk pattern Gad design using 3D printing", Journal of Korea Design Forum, 25(4), pp.151~160 (2020)[DOI]
- Sohn, H. -M., "Study on the characteristics of modern punk fashion", Journal of the Korean Society of Clothing and Textiles, 29(11), pp.1444~1453 (2005)
- Song, S., "A study on national fashion images, represented in Vivienne Westwood’s works", Journal of the Korean Society of Costume, 56(2), pp.1~16 (2005)
- "What is silkpunk, and where should you get started?" (2023)[URL]
- "A. F. Vandevorst fall 2016 ready to wear" (2016)[URL]
- "Junya Watanabe fall 2017 ready to wear" (2017)[URL]
- "Vivienne Westwood spring 2018 menswear" (2017)[URL]
- "Vivienne Westwood spring 2018 menswear" (2017)[URL]
- "Moschino spring 2018 ready to wear" (2017)[URL]
- "Vivienne Westwood fall 2018 menswear" (2018)[URL]
- "Vivienne Westwood fall 2018 menswear" (2018)[URL]
- "Vivienne Westwood spring 2019 ready-to-wear" (2018)[URL]
- "Vivienne Westwood spring 2019 ready-to-wear" (2018)[URL]
- "Vivienne Westwood spring 2019 ready-to-wear" (2018)[URL]
- "Dilara Findikoglu spring 2018 ready to wear" (2018)[URL]
- "Vivienne Westwood spring 2019 ready-to-wear" (2019)[URL]
- "Vivienne Westwood spring 2019 ready-to-wear" (2019)[URL]
- "Vivienne Westwood spring 2019 ready-to-wear" (2019)[URL]
- "Vivienne Westwood spring 2020 ready-to-wear" (2019)[URL]
- "Vivienne Westwood fall 2020 ready-to-wear" (2020)[URL]
- "Vivienne Westwood fall 2020 ready-to-wear" (2020)[URL]
- "Vivienne Westwood fall 2021 ready-to-wear" (2021)[URL]
- "Vivienne Westwood fall 2021 ready-to-wear" (2021)[URL]
- "Vivienne Westwood fall 2021 ready-to-wear" (2021)[URL]
- "Vivienne Westwood spring 2022 ready-to-wear" (2021)[URL]
- "Vivienne Westwood spring 2022 ready-to-wear" (2022)[URL]
- Wilcox, C., "Vivienne Westwood" (2004), V&A publications
- Yang, S. -H., "Socio-cultural meanings in advertisement of fashion luxury products : Focus on women’s image", Journal of the Korean Society of Clothing and Textiles, 29(2), pp.267~278 (2005)
- Yang, Y. S., "A study on punk fashion design : Focused on punk couture", The Korean Society of Fashion Design, 9(1), pp.19~30 (2009)
- Yim, E. -H., "Subcultural style in the turn of the 21st century high fashion : The case of punk look", Journal of the Korean Society of Costume, 53(2), pp.71~85 (2003)
- Yoh, E., "Research on features of eco-friendly fashion products for the development of typology of eco-friendly fashion products", The Research Journal of the Costume Culture, 32(1), pp.86~107 (2024)[DOI]
- Yoo, H. -S., "A study on the impacts of the punk look of the 1970s on the punk fashion of the 1990s", Journal of Korean Traditional Costume, 9(2), pp.11~22 (2006)
- Yum, H. J., "The aesthetic qualities featured in Vivienne Westwood’s works", Journal of the Korean Society of Costume, 37, pp.71~88 (1998)
