Brazil’s Favela Funk in Film
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
Released in 1994, the first documentary film about Brazil’s favela funk, the feature-length Funk Rio, directed by Sergio Goldenberg, depicted the baile funk dance parties of the time like the “death corridor-style” dances (corredor da morte) and the contests between dance crews. Since then, numerous documentary films have portrayed the evolution of the movement –often demonizing it but at other times romanticizing it– documenting the appearance of subgenres like consciousness funk, proibidão (gangster funk), putaria (“whorish” funk), funk de ostentação (“swag funk”) and evangelical funk. This article introduces a crucial and understudied genre of film studies about a vital and understudied Afro-Atlantic youth culture – one that is urgently situated on the front lines of the culture wars in Brazil today. In so doing, it explores the antiphony –or call and response– at the heart of favela funk aesthetics and practice, and draws attention to the philosophical tensions between Black-Atlantic cultures and documentary filmmaking. Finally, it extrapolates upon these tensions to suggest a critique of the rigid dichotomies prevalent in academic perspectives and the epistemological impulses driving them.
Abstract
Released in 1994, the first documentary film about Brazil’s favela funk, the feature-length Funk Rio, directed by Sergio Goldenberg, depicted the baile funk dance parties of the time like the “death corridor-style” dances (corredor da morte) and the contests between dance crews. Since then, numerous documentary films have portrayed the evolution of the movement –often demonizing it but at other times romanticizing it– documenting the appearance of subgenres like consciousness funk, proibidão (gangster funk), putaria (“whorish” funk), funk de ostentação (“swag funk”) and evangelical funk. This article introduces a crucial and understudied genre of film studies about a vital and understudied Afro-Atlantic youth culture – one that is urgently situated on the front lines of the culture wars in Brazil today. In so doing, it explores the antiphony –or call and response– at the heart of favela funk aesthetics and practice, and draws attention to the philosophical tensions between Black-Atlantic cultures and documentary filmmaking. Finally, it extrapolates upon these tensions to suggest a critique of the rigid dichotomies prevalent in academic perspectives and the epistemological impulses driving them.
참고문헌 (56)
- "Sérgio Goldenberg - Semana de Cinema e Mercado 2018" (2018)[URL]
- "O roteirista Sergio Goldenberg abre a edição carioca da Semana de Cinema e Mercado 2018" (2018)[URL]
- Ahearn, C., "Wild Style" (1983), First Run Features
- Araújo, S., "Conflict and Violence as Theoretical Tools in Present-Day Ethnomusicology : Notes on a Dialogic Ethnography of Sound Practices in Rio de Janeiro", Ethnomusicology, 50(2), pp.287~313 (2006)
- Arraes, G., "Auto da Compadecida" (2000), Lereby Produções and Globo Filmes
- Askew, C., "Vai Anitta, aired November 16, on Netflix", ~ (2018)
- "No Fluxo!" (2014)[URL]
- Bentes, I, "Sertões e favelas no cinema brasleiro contemporâneo: estética e cosmética da fome", Alceu: Revista de Communicação, Cultura e Política, (15), pp.242~255 (2007)
- Caetano, M. G., "My pussy é o poder: representação feminina através do funk: identidade, feminismo e indústria cultural", Master, pp.2015
- Carter, E. L., "Representing Blackness in Brazil"s Changing Television Landscape : The Cases of Mister Brau and O Grande Gonzalez", Latin American Research Review, 53(2), pp.344~357 (2018)
- Carvalho, L. F., "Suburbia, aired November 1, on Globo", ~ (2012)
- Coutinho, E., "Santa Marta: Duas Semanas no Morro" (1987), Instituto de Estudos da Religião (ISER)
- "Funk ostentação: o filme" (2012)[URL]
- Domingos, E., "A Batalha do Passinho" (2012), Osmose Filmes
- Domingos, E., "Deixa na Régua" (2016), Jurubeba Produções and Osmose Filmes
- "Passinho de Favela, Osmoses Filmes" (2018)[URL]
- Facina, A., "Cidade do funk : Expressões da diáspora negra nas favelas cariocas", Revista do Arquivo Geral da Cidade do Rio de Janeiro, 6(1), pp.193~206 (2012)
- Furtado, J., "Mister Brau, aired September 22, on Rede Globo", ~ (2015)
- Garcia, D., "Sou feia mas eu tô na moda" (2005), Toscographics
- Gates, H. L. JR., "Black in Latin America" (2011), New York University Press
- Gilroy, P., "The Black Atlantic : Modernity and Double-Consciousness" (1993), Harvard University Press
- Goldenberg, S., "Funk Rio" (1994), Centro de Criação de Imagem Popular(CECIP)
- Hamburger, E., "Violência e pobreza no cinema brasileiro recente : reflexões sobre a ideia do espetáculo", Novos Estudos, 78, pp.113~128 (2007)
- HBL, L., "Favela on Blast" (2008), Mad Decent
- Herschmann, M., "O funk e o hip-hop invadem a cena" (2000), Editora UFRJ
- Johnsen, A., "Mr. Catra: The Faithful" (2004), Rosforth
- "Emílio Domingos finaliza trilogia sobre cotidiano da periferia do Rio: ‘A batalha do passinho’, ‘Deixa na régua’ e ‘Favela é moda’ são obras do diretor" (2017)[URL]
- Kondzilla, "Sintonia, aired August 9, on Netflix", ~ (2019)
- Lopes, A. C., "Funk-se quem quiser: no batidão negro da cidade carioca", Doctor, pp.2010
- "Documentário MC Zoi de Gato (A Voz da Favela), Estúdio Rec, YouTube video"[URL]
- "Funk ostentação: o sonho" (2014)[URL]
- Mcnally, J., "Favela Chic : Diplo, Funk Carioca, and the Ethics and Aesthetics of the Global Remix", Popular Music and Society, 40(4), pp.434~452 (2016)
- Meirelles, F., "Cidade dos homens, Season 2, Episode 2, “Sábado,” aired October 14, on Rede Globo", ~ (2003)
- Meirelles, F., "Cidade de Deus" (2002), O2 Filmes
- Mellin, R., "90 Dias com Catra" (2010), Mellin Vídeos and Grupo Sal
- Monteyne, K., "Hip Hop on Film: Performance Culture, Urban Space, and Gender Transformation in the 1980s" (2015), University Press of Mississippi
- Novaes, D., "Funk proibidão: música e poder nas favelas cariocas", Master, pp.2016
- Padilha, J., "Tropa de Elite" (2007), Zazen Produções
- Palombini, C., "I’m Ugly But Trendy (Sou Feia Mas Tô na Moda): Directed by Denise Garcia", Echo: A Music-Centered Journal, 10(1) (2012)
- Peixoto, M., "Rio"s Favelas in Recent Fiction and Film : Commonplaces of Urban Segregation", PMLA, 122(1), pp.170~178 (2007)
- Pilar, L., "Por Toda Minha Vida, Season 3, Episode 2, “Claudinho,” written by George Moura, aired November 26, on Rede Gobo", ~ (2009)
- "As galeras" (2015)[URL]
- Quintero Rivera, Á., "¡Salsa, sabor y control! Sociología de la música tropical" (1998), Casa Fondo Editorial de las Américas
- "Esculacho"[URL]
- Rocha, G., "Deus e o Diabo na Terra do Sol" (1964), Copacabana Filmes
- Salles, W., "Central do Brasil" (1998), VideoFilmes
- Santos, N., "Vidas Secas" (1963), Herbert Richers Sinofilmes
- Silberg, J., "Breakin’" (1984), Cannon Films
- Skidmore, T. E., "Brazil : Five Centuries of Change" (2010), Oxford University Press
- Sneed, P., "Bandidos de Cristo: Representations of the Power of Criminal Factions in Rio’s Proibidão Funk", Latin American Music Review, 28(2), pp.220~241 (2007)
- Sneed, P., "Favela Utopias : The Bailes Funk in Rio"s Crisis of Social Exclusion and Violence", Latin American Research Review, 43(2), pp.57~79 (2008)
- Sneed, P., "Machine Gun Voices : Favelas and Utopias in Brazilian Gangster Funk" (2019), Seoul National University Press
- Ventura, Z., "Cidade partida" (1994), Companhia das Letras
- Vianna, H., "O mundo funk carioca" (1988), Jorge Zaluar Editora
- Xavier, I., "The New Brazilian Cinema", pp.39~63 (2003), I.B. Taurus
- Yúdice, George, "Microphone Friends: Youth Music and Youth Culture", pp.193~217 (1994), Routledge