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신보수주의 가족 이데올로기와 BBC 셰익스피어 시리즈: 조나산 밀러의 <말괄량이 길들이기>를 중심으로

Jonathan Miller's The Taming of the Shrew: Neoconservative Family Ideology and the BBC Shakespeare Series

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Abstract

The BBC Shakespeare Series, which between 1978 and 1985 broadcast the entire Shakespeare plays, has become an important teaching tool in colleges and universities. The BBC Shakespeare was claimed to be a straightforward production offering a wonderful opportunity to teach and study the plays through performance as Shakespeare intended. However, this paper reveals neoconservative family ideology in the BBC Shakespeare and examines how it appropriated Shakespearean texts in the early 1980s. In The Taming of the Shrew, the director Miller omits the Sly Induction permitting the audience to view the action from a critical distance. The audience thereby is led to believe that the characters are in a real and ultimately serious situation. In this film, the Puritan moralist Petruchio instructs Katherine, whose shrewish behavior results from a lack of male affection, and transforms her into an obedient wife. Moreover, in the final scene, the characters all sing a hymn together that celebrates God and the family order, which in turn hails female obedience as a religious and divine requirement for familial and social order. Through the Shakespearean text, the patriarchal discourse in the 1980s emphasizes the traditional gender role: in particular, the male wage earner and the dependent wife. This neoconservative family ideology, which necessitates the absolute power of patriarch, also appears in other films in the series such as Hamlet and Romeo and Juliet.

참고문헌 (26)

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