利用修坯刀的弹性制作纹样的研究
A Study on the Surface Decoration Using the Elasticity of the Trimming knife
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초록
陶瓷是具有深厚历史文化的媒介。学者们在研究古代瓷器的过程中发现了许多重要的历史资料。通过这些 资料,我们了解到除了瓷器的形态和材料外,瓷器的装饰也是值得学者们研究的研究方向。跳刀技法是指利 用锐利的修坯刀制作出纹样的技法。从古代到现代,一直在发展的传统性和装饰性很强的工艺技法,在古代 陶瓷装饰技法中占据了重要位置。 跳刀技法虽然是悠久的陶瓷历史文化中重要的装饰技法之一,从现代陶艺作品的装饰技法来看,跳刀技法 却是比较常见的技法。此外,在深厚陶瓷历史文化中占据重要位置的技法主要有跳刀技法、彩陶、绳印、色 釉、青花等5种技法。跳刀技法是古时候陶瓷工匠在修坯过程中偶然发现的装饰技法。来到现代后,很多陶瓷 作家通过现代作品可以了解到该技法并应用于作品。 调查现代陶瓷工艺界利用跳刀装饰的情况时发现,利用跳刀技法的陶瓷生产地主要有中国龙泉青瓷生产地 和日本小鹿田烧生产地。 通过调研得知,用跳刀技法装饰的作家比较多的制作人在龙泉产地和小路田烧产地 进行陶艺工作。 从研究古老的工艺技法到研究、调查、对比和学习、收获和制作。 通过本论文的研究,从古老的陶瓷工 艺中获得了新的装饰效果。 其效果可分为3种,第一,集中注意力,保持手的稳定性,一次性形成花纹。 第二,制作具有特征的跳刀作品时,工具的选择很重要。 第三,根据作者的技法,可以制作出新的风格的作 品。希望跳刀技法被广泛使用,而且我们可以按照我们想要的作品效果来使用跳刀装饰技法,灵活使用跳刀 装饰技法。 与其他技法一起使用,也可以获得新的效果。 这个效果以现代的方式表现出来,正在开拓跳刀 技法的全新艺术世界。
Abstract
Scholars discover a number of important historical materials in the study of ancient pottery. Through such data, it was discovered that ceramic decorations, as well as the shape and materials of pottery, are a research direction worthy of researchers' study. A decorative technique called dodo technique is a technique that produces patterns using a sharp heel knife. It has taken an important position with its traditional and decorative craft techniques that have continued to develop since ancient times. Chatter mark is one of the decorative techniques that has a long history in pottery culture, and Chatter mark techniques are common in modern pottery works. In addition, the five techniques that occupy an important position in the deep ceramic historical culture are the Chatter mark technique, abbreviation, color summary, and cyanide. It has been attracting attention as a decorative technique discovered accidentally in the process of cutting heels, and in modern times, many artists have learned this technique and applied it to their works through modern works. In investigating the situation in which the modern ceramic industry uses pottery decoration, there are two ceramic production sites, mainly Yongcheon celadon production sites in China and Ondayaki production sites in Japan. The artist, who decorates with the Chatter mark technique, learned from a survey conducted by a relatively large number of producers working at Yongcheon production site and Ondayaki production site. From studying old craft techniques, it leads to research and investigation, preparation and learning, harvesting and production. Through the research of this paper, new decorative effects were obtained from old ceramic crafts. The effects can be classified into three categories, and first, the attention is focused and the hand stability is maintained to create a pattern at once. Second, the choice of tools is important in producing characteristic chatter mark works. Third, a new style of work can be created according to the artist's technique. chatter mark techniques are used in a variety of ways, and we can make use of chatter mark techniques as much as we want. New effects can be achieved when used in conjunction with other techniques. This effect is expressed in a modern way, pioneering a new art world of chatter mark techniques.
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