아동문학으로서 「유용한 고양이들에관한 늙은 파섬 시집」
Old Possum’s Book of Practical Cats as Children’s Literature
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T. S. Eliot has been known as a poet and critic for being so serious and moralistic that he might teach his readers. Yet, he published Old Possum’s Book of Practical Cats in 1939 for children, especially for his friends. In this sense, this poetry is aimed at amusing children with an allegory of a variety of cats. Usually, the style that children like lies in amusement in form and satirical language in use. Eliot knew it; so it is an interesting task to examine the significance of the old possum, his nickname, from the poetry for children, and the poet hidden behind the nickname. The Old Possum poetry appears to take into account what children like: a poetry collection of amusement and seriousness put together for children using lively rhythms and regular rhymes according to the characteristics of practical cats. The poetry shows a variety of each cat’s characters and habits, which, the poet believes, practically reflect various forms of human life. Above all, Eliot tried to associate practical cats in profound meditation with himself as a thoughtful, yet invisible poet and critic just like the wild, yet shy animal: a metaphor of the old possum in poetry.
Abstract
T. S. Eliot has been known as a poet and critic for being so serious and moralistic that he might teach his readers. Yet, he published Old Possum’s Book of Practical Cats in 1939 for children, especially for his friends. In this sense, this poetry is aimed at amusing children with an allegory of a variety of cats. Usually, the style that children like lies in amusement in form and satirical language in use. Eliot knew it; so it is an interesting task to examine the significance of the old possum, his nickname, from the poetry for children, and the poet hidden behind the nickname. The Old Possum poetry appears to take into account what children like: a poetry collection of amusement and seriousness put together for children using lively rhythms and regular rhymes according to the characteristics of practical cats. The poetry shows a variety of each cat’s characters and habits, which, the poet believes, practically reflect various forms of human life. Above all, Eliot tried to associate practical cats in profound meditation with himself as a thoughtful, yet invisible poet and critic just like the wild, yet shy animal: a metaphor of the old possum in poetry.
참고문헌 (13)
- 박경일, "니체의 거미와 늙은 들쥐의 가면: T. S. 엘리엇의 전환기적 예술철학. in: 면암 진용우 박사 정년기념논문집", pp.87~113 (1994)
- 양병현, "미국의 리터러시 코칭" (2009), (주)대교출판
- Bay-Cheng, Sarah, "Away we go: Poetry and Play in Old Possum’s Book of Practical Cats, A Company to T. S. Eliot", pp.228~238 (2009), Wiley-Blackwell
- Douglass, Paul, "Eliot’s Cats: Serious Play Behind the Playful Seriousness", Children’s Literature, 11, pp.109~124 (1983)
- Eliot, T. S., "The Complete Poems and Plays 1909-1950" (1950), Harcourt, Brace & World, Inc.
- Eliot, T. S., "The Letters of T. S. Eliot. Vol. 1 1898-1922", pp.1922, A Harvest
- "Faber and Faber Children’s Rights Guide 2010"[URL]
- Holmes, John, "Eliot on Roistering Cats", Boston Evening Transcript, 15 (1939)
- Kenner, Hugh, "The Possum in the Cave, Allegory and Representation", pp.128~144 (1981), John Hopkins UP
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