<이매방삼고무>의 발생과 진화 과정

Abstract

The aim of this study is to examine the occurrence and evolution of Samgomu, previously known as the creation of Lee Mae-bang. It is believed that Samgomu’s premiere was performed by Leem Chun-Aeng in the mid-1940s. It can be said that Lee Mae-bang started Samgomu in the early and mid 50s when the circumstances and timing of the interview were matched. Throughout the 60s and 70s, Lee Mae-bang gradually completed his original excitement by reducing the number of drums and adding movements and rhythmic syncopation. The Jangdan, which consisted only of Jajinmori and Huimori, was 8 to 9 minutes long in the order of Utmori-Jajinmori-Dongsalpuri-Huimori, and was expanded from a solo dance to an independent group dance. Starting from <Buksori I> in 1984, the improvisation of the work was weakened, but the sequence was established, the dance movements were emphasized, and it was transformed into a true drum dance. It became <Leemaebang-samgomu>, a dance work that appreciates the choreography of drumming from chasing the drums. <Leemaebang-samgomu> raised the dignity of multiple drums damce with a dance movement that looks like a body drawing of the rhythmic rhythm and evolved Samgomu into an artistic creative dance. This can be said to be the product of Lee Maebang’s individual genius and ceaseless efforts.