楊萬里 風味論의 淵源과 形成 考

Abstract

Yang Wan-li(1127-1206) is one of the four great poeats of the early Southern Song(南宋) dynasty, with Lu Yu(陸游), Fan Cheng-da(范成大), You Mao(尤袤). According to one of Yang Wan-li's prefaces(「荊溪集序」), he first imitated the master of Jiangxi School of poetry(江西詩派). In 1178 Yang Wan-li made a breakthrough, expreriencing a Chan(禪)-like enlightenment which enabled to him former masters and create a style fully his own literary theory. The point of his literary theory is Fengweilun (風味論). It represents the culmination of the Chan-inspired aesthetics, beggar description(不可言傳, 言不盡意 or 不立文字) and a rationalistic Neo-Confucian phiosophical School(理學) that had already been developing in Song(宋) dynasty. Yang's Chan-inspired literary theory also had other implications for his poetic ideals. The source and shape of Yang's Fengweilun had backing of Liu Xie(劉勰)'s Yuwei(餘味), Zhong Rong(鍾嶸)'s Ziwei(滋味) and Si Kong-tu(司空圖)'s Yunwei(韻味), and had an effect on writing of Yan yu(嚴羽)'s Canglangshihua(「滄浪詩話」).