韓愈와 孟郊詩의 寫實性 고찰

Abstract

During Zhongtang era, the distinctive feature in the process of poetry development is a making of literature groups. They had been called LiDu, WangMeng, or GaoCen in Shengtang era. Actually they were not real literature groups, they are just called like that by post-poets due to the similar features of poetry or intimacy. But LiDu had played an important role in Chinese poetry unlike any other group. In Zhongtang era, various literature groups had started to build up the foundation of their career and develop their personal relationship. Both HanyuMengiao and YuanzhenBaijuyi groups have a close relationship and have something in common with the attitude of writing poem. In the book, "Chinese literature history", Qiuxieyou and Yequingbing, who are Taiwanese scholars, describe poetry as two factions; one is Hanyu and Baijuyi, the other is Hanyu and Mengjiao. Their point of view is very different in that HanMeng focused on the rhetorical device rather than Dufu's realism. That means YuanBai showed the purpose of writing poem and rhetorical device equally, but HanMeng did not. As a result, HanMeng gave an obscure consciousness of purpose. HanMeng and YuanBai got into their literature activities on the same contemporary background of their days. Therefore it is deserve to examine what kinds of realism poetry Hanmeng has, when YuanBai led a Xinyuefu movement called writing realism poetry movement. But the characteristic of Hanmeng poetry does not mean the close relationship with social reflection. This study is aim to investigate context of poetry development in ZhongtangYuanhe era by looking into other aspects of HanMeng poetry.