二三十年代中國小說中的韓人義烈形象

Abstract

By the different perspective, near, middle and far, the paper focus on the image of Korean martyr’s struggle in the 1920s and 1930s Chinese novels, analyzes the different performance and style of the works by the method of social history, shows the limitation of individual, era and social factor to literature creation. Zooming the colonial literary works to modern China and Sino-South Korea common cultural background, the paper reveals the historical inevitability of this special literature phenomenon, also points out the social utility and it's limitation under the war environment. At the same time, utilizing the comparative literature image study theory, the article points out that the molding to Korean martyr in the independent struggle by Chinese present and contemporary writer actually is the imaginal explanation to Korean nationality. In the critical moment of the nationality, the writers intended to display the misery and unyielding of Korean, showed foreign heroic image to Chinese to express their intention and appeal. The molding to foreigner actually was to show and look through the image of their nationality.