미야모토 유리코의 『한송이 꽃(一本の花)』 - 자립한 여성의 표상으로서의 한송이 꽃-
“Ippon no Hana" by Yuriko Miyamoto - as a symbolic image of an independent woman -
0
조회
0
다운로드
1
인용
0
참고문헌
키워드
초록
“Ippon no Hana (One Flower)” is meaningful due to Yuriko Miyamoto’s final work in her early period before leaving for the Soviet Union. Despite Asako said she loved Sachiko, the heroine surprised herself because she was mentally disturbed by a proposal of Mr Ohira. However she denied the marriage. Asako understood women always sacrificed on their lives for marriages and their “half-opened flowers” were not able to bloom compleately because of the inertia of the male-centered society. Regarding the jobs for female, she expressed her negative emotion against male supremacy over the society through her experiences with female victims of discriminations in a social welfare cooperation. However she also indicated the diversified advancement through the professionalization of intellectual women, and suggested that women were about to establish their spiritual and internal world views as well as the financial independence. In the later part of the novel the author wrote that Asako had a desire to discontinue her monotonous life with Sachiko and participate in the society. Consequently it can be said that “Ippon no Hana (One Flower)” raised various possibilities of women to seek their own lives, which are based on the issue of women’s self and subjectivity in the contradictive society.
Abstract
“Ippon no Hana (One Flower)” is meaningful due to Yuriko Miyamoto’s final work in her early period before leaving for the Soviet Union. Despite Asako said she loved Sachiko, the heroine surprised herself because she was mentally disturbed by a proposal of Mr Ohira. However she denied the marriage. Asako understood women always sacrificed on their lives for marriages and their “half-opened flowers” were not able to bloom compleately because of the inertia of the male-centered society. Regarding the jobs for female, she expressed her negative emotion against male supremacy over the society through her experiences with female victims of discriminations in a social welfare cooperation. However she also indicated the diversified advancement through the professionalization of intellectual women, and suggested that women were about to establish their spiritual and internal world views as well as the financial independence. In the later part of the novel the author wrote that Asako had a desire to discontinue her monotonous life with Sachiko and participate in the society. Consequently it can be said that “Ippon no Hana (One Flower)” raised various possibilities of women to seek their own lives, which are based on the issue of women’s self and subjectivity in the contradictive society.
참고문헌 (15)
- 板垣直子, "明治・大正・昭和の女流文学", pp.140~176 (1969), 桜楓社
- 板垣直子, "湯浅芳子との共同生活 in : 婦人作家評傳", pp.261~266 (1987), 日本圖書センター
- 岩淵宏子, "『一本の花』論ーベルハ-レン「明るい時」の影響を中心にー", pp.33~45 (1986), 昭和学院短期大学紀要
- 岩淵宏子, "『一本の花』ーレズビア二ズ厶の揺らぎー in : 宮本百合子-家族・政治そしてフェミニズ厶", pp.127~156 (1996), 幹林書房
- 岩淵宏子, "百合子とセクシュアリティーレズビアン表象の揺らぎー in : 国文学解説と鑑賞", pp.49~56 (2006), 學燈社
- 小原元, "解説", 宮本百合子選集, 3, pp.473~492 (1968), 新日本出版社
- 垣田時也, "宮本百合子の文学", 女流文藝硏究, pp.135~147 (1973), 南窓社
- 菅聡子, "『一本の花』ー分節化されない言葉 in : 国文学解説と鑑賞", pp.106~113 (2006), 學燈社
- 黒沢亜里子, "愛と生存のかたち in : 国文学解説と鑑賞", pp.6~27 (2006), 學燈社
- 小林富久子, "宮本百合子 『婦人と文学』 in : 国文学解説と鑑賞", pp.131~139 (2006), 學燈社
- 須見磨容子, "轉換期の宮本百合子 in : 民主文学", pp.6~15 (1981), 新日本出版社
- 中村智子, "『二つの庭』時代 in : 宮本百合子", pp.86~101 (1973), 筑摩書房
- 中村智子, "平和と民主主義の旗手 in : 宮本百合子", pp.279~331 (1973), 筑摩書房
- 平林たい子, "宮本百合子", pp.157~255 (1972), 文藝春秋
- 宮本顕治, "轉換期と新しい 試練 in : 宮本百合子の世界", pp.77~82 (1980), 新日本出版社
