왕유(王維)의 회화와 시가 - <망천도(輞川圖)>와 <망천집(輞川集)>을 중심으로
A Study on Wang-Wei's Painting and Poetry - focused on <Wangquan Painting> and <Wangquan Poetry>
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This paper discussed about Wangquan(輞川)'s painting and poetry which Wang-Wei(王維) produced. This research focuses on mutual association between Nature(自然) and Human spirit(情神) expressed in Wangquan's work. Wang-Wei was a poet and painter, and was also one of the founders of the Southern School of Painting(南宗畵). It was influenced by Dong Qichang(董其昌)’s Perspective on Southern School. When Wang-Wei started his career, he was not a famous artist in the Southern School of Painting. When Su-Dongpo(蘇東坡) highly evaluated his work, Wang-Wei became authority of the status Southern School of Painting. <Wangquan Painting> which had painted by Wang-Wei, was already lost, and therefore we are able to know about his work only in classic books. Wang-Wei suggested ‘Yi(意)’, which was the spirit of artist, and his idea of ‘Yi’ gave influence on painting and poetry produced by the next generations. His poem expresses the artistic conception which feeling his emotion and landscape were happily blended.
Abstract
This paper discussed about Wangquan(輞川)'s painting and poetry which Wang-Wei(王維) produced. This research focuses on mutual association between Nature(自然) and Human spirit(情神) expressed in Wangquan's work. Wang-Wei was a poet and painter, and was also one of the founders of the Southern School of Painting(南宗畵). It was influenced by Dong Qichang(董其昌)’s Perspective on Southern School. When Wang-Wei started his career, he was not a famous artist in the Southern School of Painting. When Su-Dongpo(蘇東坡) highly evaluated his work, Wang-Wei became authority of the status Southern School of Painting. <Wangquan Painting> which had painted by Wang-Wei, was already lost, and therefore we are able to know about his work only in classic books. Wang-Wei suggested ‘Yi(意)’, which was the spirit of artist, and his idea of ‘Yi’ gave influence on painting and poetry produced by the next generations. His poem expresses the artistic conception which feeling his emotion and landscape were happily blended.
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