近代中国“韩亡”戏剧的创作、演出与社会反响

Abstract

During the period of the late Qing Dynasty and the Republic of China, the social ideological enlightenment actions of the modern cultural groups, in association with the power of the urban cultural market, promoted the creation and performance of a large number of Korean dramas. There are 21 related scripts (or summary of plots) that have survived to this day, most of which were created by professional modern dramatists active in and around Shanghai. Korean subjugation dramas are performed all over the country, but Shanghai is the most active center. Professional theater troupes mainly perform in specialized theaters in Shanghai, while student theater troupes are active on public stages across the country or gatherings of urban and rural people. Compared with novels and political history books with similar themes at that time, drama has a broader social enlightenment significance.