가족 서사로 완성된 인간과 로봇의 연대 ― 중국 드라마 ≪안녕, 안이(你好,安怡)≫를 중심으로
The Unity of Humans and AI Robots Completed by Family Narrative ― Focusing on a Chinese Drama Hello, Anyi
0
조회
0
다운로드
1
인용
0
참고문헌
키워드
초록
As a drama that dramatized a drama Humans produced in the UK, the recent work Hello, Anyi(2021) among Chinese dramas with AI robot as the main character, describes the process in which an AI robot with self-consciousness goes through conflicts with humans and eventually harmonizes with them in the end. The drama Hello, Anyi not only shows various aspects that could occur when an AI robot enters human life, but also explores how both human and AI robot who has secured a voluntary will could coexist together. When the AI that exceeds human appears, it is tough to accurately predict if it would lead mankind to utopia or dystopia. Especially, the being of robot that cannot be distinguished from human must be an object of fear and anxiety to human. The drama Humans develops its story by focusing on the presentation of many confusing situations that could occur when a robot with self-consciousness appears. In other words, by elaborately showing the changes caused by the coexistence between human and robot with the background of daily life, it makes viewers think and explore how human and machine can coexist. On the other hand, the drama Hello, Anyi presents many chaoses and conflicts occurred in the society where human and robot coexist, but also focuses more on the removal of anxiety through family narrative based on love for family. Even though the early part of this drama presents the situation in which the existence of robot threatens human, it eventually removes the anxiety through family narrative based on love for family by accepting the AI robot as a family member in the end. And the robots refuse the world and method dominated by the scientist who is the subject of Oedipiean suppression of discriminating against machine, and then build up a society where human and robot are equally treated by forming family community based on brotherhood. Like this, it is composed of a story about overcoming many chaoses and conflicts that could occur in the society together with human and robot through family community based on love for family. This fantasy-like story in which a broken family can be restored through robot, and both human and robot can have a close relationship just like family, resolves the fear and anxiety about the future society brought by AI robot.
Abstract
As a drama that dramatized a drama Humans produced in the UK, the recent work Hello, Anyi(2021) among Chinese dramas with AI robot as the main character, describes the process in which an AI robot with self-consciousness goes through conflicts with humans and eventually harmonizes with them in the end. The drama Hello, Anyi not only shows various aspects that could occur when an AI robot enters human life, but also explores how both human and AI robot who has secured a voluntary will could coexist together. When the AI that exceeds human appears, it is tough to accurately predict if it would lead mankind to utopia or dystopia. Especially, the being of robot that cannot be distinguished from human must be an object of fear and anxiety to human. The drama Humans develops its story by focusing on the presentation of many confusing situations that could occur when a robot with self-consciousness appears. In other words, by elaborately showing the changes caused by the coexistence between human and robot with the background of daily life, it makes viewers think and explore how human and machine can coexist. On the other hand, the drama Hello, Anyi presents many chaoses and conflicts occurred in the society where human and robot coexist, but also focuses more on the removal of anxiety through family narrative based on love for family. Even though the early part of this drama presents the situation in which the existence of robot threatens human, it eventually removes the anxiety through family narrative based on love for family by accepting the AI robot as a family member in the end. And the robots refuse the world and method dominated by the scientist who is the subject of Oedipiean suppression of discriminating against machine, and then build up a society where human and robot are equally treated by forming family community based on brotherhood. Like this, it is composed of a story about overcoming many chaoses and conflicts that could occur in the society together with human and robot through family community based on love for family. This fantasy-like story in which a broken family can be restored through robot, and both human and robot can have a close relationship just like family, resolves the fear and anxiety about the future society brought by AI robot.
참고문헌 (18)
- 권명아, "가족 이야기는 어떻게 만들어지는가" (2000), 책세상
- 린 헌트, "프랑스 혁명의 가족 로망스" (1999), 새물결
- 로버트 페페렐, "포스트휴먼의 조건" (2017), 아카넷
- 로지 브라이도티, "포스트휴먼" (2015), 아카넷
- 지그문트 프로이트, "성욕에 관한 세 편의 에세이" (2003), 열린책들
- 캐서린 헤일스, "우리는 어떻게 포스트 휴먼이 되었는가-사이버네틱스와 문학, 정보 과학의 신체들" (2013), 플래닛
- 李姝宏, "近三十年中國科幻小說中的「後人類」形象研究", pp.2016
- 모준영, "중국의 인공지능(AI) 정책과 군사전략 변화", 한국동북아논총, 26(4), pp.81~105 (2021), 한국동북아학회[DOI]
- 박명진, "인공지능 로봇 소재 드라마의 섹슈얼리티와 대중 서사 전략-텔레비전 드라마 <절대 그이>를 중심으로-", 문화와융합, 43(3), pp.309~333 (2021), 한국문화융합학회
- 박소연, "2010년대 할리우드 영화 속 인간과 인공지능의 관계적 존재 양상 연구: <그녀>(2014), <블레이드 러너 2049>(2017), <당신과 함께한 순간들>(2017)을 중심으로", 현대영화연구, 16(3), pp.95~119 (2020), 현대영화연구소[DOI]
- 박영석, "21세기 SF 영화와 포스트휴먼의 조건 -정신과 신체의 인공적 관계를 중심으로-", 현대영화연구, 14(3), pp.427~458 (2018), 현대영화연구소[DOI]
- 이경희, "카렐 차페크의 희곡 『로봇(R.U.R.)』에 나타난 SF적 상상력과 기독교적 요소", 문학과 종교, 25(3), pp.149~168 (2020), 한국문학과종교학회
- 이다운, "포스트휴먼 시대의 텔레비전드라마—<너도 인간이니?>를 중심으로", 대중서사연구, 24(4), pp.261~290 (2018), 대중서사학회[DOI]
- 이명현, "SF영화에 재현된 포스트휴먼과 신화적 상상력 -AI 영화와 혹성탈출 리부트 시리즈를 중심으로-", 문화와융합, 40(3), pp.1~28 (2018), 한국문화융합학회[DOI]
- 장성규, "2000년대 이후 한국문학에 나타난 가족로망스의 변화 양상 연구", 인간연구, (36), pp.7~32 (2018), 인간학연구소[DOI]
- 張璐, "中國科幻:人類命運共同體話語對外傳播的新理路", 未來與發展, (8) (2022)
- 黃鳴奮, "機甲:科幻電影中的人機共同體想象", 影視文學, (6)통권 : 55 (2021)
- 景坤, "對近10 年來中國科幻小說研究的回顧與反思", 社會科學動態, (1) (2022)
