영상예술가 차학경-혁신과 융합의 트랜스미디어
Media Artist Theresa Hak Kyung Cha －Transmedia of Innovation and Convergence
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In this article Transmedia used to be defined to cross media. Since digital technology has been combined with it, there is no longer meaningful at the boundary between media. The convergence and consilience are being encouraged, Transmedia is being dynamically changed to new innovation. Transmedia mean the harmony between liberal arts, technology and emotion. Creativity is placed at it. The intent and meaning of this article is to analyze media being characteristic of modern society in Cha`s works. Though she was forced to stay outside in Western, her works have provided us with experimental style at a time when changes are required. In addition, its contents haven`t avoided many of problems within contemporary society. It has crossed all artistic genres, private and history. Images, languages and bodies represented in all of her works were artistic performance for interaction and communication. There are the repetitive chat-ups about past, present and future. And the unique communication style is always refreshing her texts.
Abstract
In this article Transmedia used to be defined to cross media. Since digital technology has been combined with it, there is no longer meaningful at the boundary between media. The convergence and consilience are being encouraged, Transmedia is being dynamically changed to new innovation. Transmedia mean the harmony between liberal arts, technology and emotion. Creativity is placed at it. The intent and meaning of this article is to analyze media being characteristic of modern society in Cha`s works. Though she was forced to stay outside in Western, her works have provided us with experimental style at a time when changes are required. In addition, its contents haven`t avoided many of problems within contemporary society. It has crossed all artistic genres, private and history. Images, languages and bodies represented in all of her works were artistic performance for interaction and communication. There are the repetitive chat-ups about past, present and future. And the unique communication style is always refreshing her texts.
참고문헌 (18)
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- "입에서 입으로 Mouth to Mouth(1975, 8분), 싱글채널비디오, 유성", ~ (1975)
- "치환 Permutations(1976, 10분), 16mm 흑백필름, 무성", ~ (1976)
- "비데 오 엠 Vidé o ème(1976, 3분), 싱글채널비디오, 유성", ~ (1976)
- "다시 사라짐 Re Dis Appearing(1977, 3분), 싱글채널비디오, 유성", ~ (1977)
- "통로", 풍경 Passages Paysages(1978, 10분), 3채널비디오설치, 유성, 1978
- "망명자 Exilée(1980, 50분), 슈퍼8mm", 비디오설치, 유성, 1980
- Cha, Theresa Hak Kyung, "Apparatus-Cinematographic Apparatus:Selected Writings" (1980), Tanam Press
- Cha, Theresa Hak Kyung, "DICTEE" (1982), Tanam Press
- Godfrey, Tony, "개념미술" (2002), 한길아트
- 김청환, "개념예술의 선구자 불꽃 같은 삶. 비운의 천재 차학경", 주간한국, ~
- 김현주, "동시대 한국미술의 지형", pp.322~362 (2009), 학고재
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- 장영엽, "요절한 천재 아티스트 차학경", 씨네21, ~ (2009)
- 전혜린, "그리고 아무 말도 하지 않았다" (2002), 민서출판
- 차학경, "딕테" (2004), 어문각
- 황은덕, "한국계 미국소설의 디아스포라 주체", 박사, 영어영문학, pp.2010