13~14세기의 대장경 인출·유통과 고려대장경
A Study on the Printing and Circulation of Tripitaka in the East Asia and Tripitaka Koreana in the 13th and 14th centuries
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Tripitaka Koreana(高麗大藏經) was carved as a national Buddhist project of Goryeo. The contents and structures of the Tripitaka Koreana are closely related to Tripitaka Kaibao(開寶藏, 北宋大藏經) and Tripitaka Qidan(遼藏, 契丹大藏經) previously published in China. The issue on the printing and distribution of Tripitaka is useful for understanding Tripitaka itself and examining Buddhist exchanges, Buddhist culture, Buddhist ritual, and faith. In addition to, it is related to Buddhist temple economy. Research on the exchange of Tripitaka between Goryeo and China was focused on early Goryeo period and the First Tripitaka Koreana(初雕大藏經). However, since Zhaocheng Jin Tripitaka(趙城金藏) was completed in the Jin China in 1173, there were also Zhaocheng Jin Tripitaka in East Asia in addition to the previous three Tripitakas at the time of woodcutting of the Second Tripitaka Koreana(再雕大藏經) in the 13th Century. But, I can’t find any trace of the exchange between the Second Tripitaka Koreana and Zhaocheng Jin Tripitaka. Buddhist exchange between Goryeo and Jin was also lack of activity. In case of Yuan China, Goryeo people joined in the publication and distribution of Tripitakas in Yuan, especially the capital, Datu(大都) and Hangzhou(杭州) province. In addition to many cases, Tripitakas published in Yuan was imported into Goryeo and enshrined in Goryeo temple for dignity of temple and filial piety of patron, as well as cases in which Tripitaka Koreana was exported to Yuan. What is most notable in the Tripitaka exchange between Goryeo and Yuan was the fact that Tripitaka was published and circulated personally. Study on Publishing and circulation of Tripitaka Koreana in Goryeo and its relationships with Zhaocheng Jin Tripitaka and Yuan Trpitakas, after the Second Tripitaka Koreana was carved, will help us understand Tripitaka tradition of East Aisa as well as Tripitaka Koreana.
Abstract
Tripitaka Koreana(高麗大藏經) was carved as a national Buddhist project of Goryeo. The contents and structures of the Tripitaka Koreana are closely related to Tripitaka Kaibao(開寶藏, 北宋大藏經) and Tripitaka Qidan(遼藏, 契丹大藏經) previously published in China. The issue on the printing and distribution of Tripitaka is useful for understanding Tripitaka itself and examining Buddhist exchanges, Buddhist culture, Buddhist ritual, and faith. In addition to, it is related to Buddhist temple economy. Research on the exchange of Tripitaka between Goryeo and China was focused on early Goryeo period and the First Tripitaka Koreana(初雕大藏經). However, since Zhaocheng Jin Tripitaka(趙城金藏) was completed in the Jin China in 1173, there were also Zhaocheng Jin Tripitaka in East Asia in addition to the previous three Tripitakas at the time of woodcutting of the Second Tripitaka Koreana(再雕大藏經) in the 13th Century. But, I can’t find any trace of the exchange between the Second Tripitaka Koreana and Zhaocheng Jin Tripitaka. Buddhist exchange between Goryeo and Jin was also lack of activity. In case of Yuan China, Goryeo people joined in the publication and distribution of Tripitakas in Yuan, especially the capital, Datu(大都) and Hangzhou(杭州) province. In addition to many cases, Tripitakas published in Yuan was imported into Goryeo and enshrined in Goryeo temple for dignity of temple and filial piety of patron, as well as cases in which Tripitaka Koreana was exported to Yuan. What is most notable in the Tripitaka exchange between Goryeo and Yuan was the fact that Tripitaka was published and circulated personally. Study on Publishing and circulation of Tripitaka Koreana in Goryeo and its relationships with Zhaocheng Jin Tripitaka and Yuan Trpitakas, after the Second Tripitaka Koreana was carved, will help us understand Tripitaka tradition of East Aisa as well as Tripitaka Koreana.
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