한국 전후시에 나타난 '가족' 모티브 연구

Abstract

This paper examined the meaning that family narratives planned by post-war poets. They took families that exposed their fear and anxiety of death and families that were faced with a crisis of dissolution as important subject in their poetry. The father appears in a variety of guises in post-war poetry. Bak Inhwan introduces a powerless father. This father is the poet's medium for denouncing the violence of an era that brought about the division of the subject. Kim Suyeong's introspection on the position of the father is ultimately a criticism of familialism, and this is connected to a criticism of the nationalistic system that produces familialism. On the other hand, that father in the works of traditionalist post-war poets is a traditional patriarch. They take on the roles of fathers who supervise the perfect family community order. However, the mother in Bak Jaesam's works sturdily supports that narrative of loss created by the absence of the father. Through the mother, the poetic self on the one hand overcomes a crisis of existence, and on the other hand depicts a new family order. The family motif in Kim Jongsam's poetry is characterized by the fact that it shows an open family narrative that accepts a suffering other into a new family.