기억 이미지로서의 중국문자 -마테오 리치의 『서국기법』(西國記法)-
Chinese Character as Memory Image - Matteo Ricci’s The Western Art of Memory(西國記法) -
0
조회
0
다운로드
4
인용
0
참고문헌
키워드
초록
Matteo Ricci’s The Western Art of Memory(西國記法) is an attempt to apply the Western art of memory to Chinese characters and texts. In this book Ricci introduced the principles of the art of memory for the first time to China, as well as a variety of ways of remembering Chinese texts,based on his unique understanding of Chinese characters. This paper aims mainly to survey the important points of this book that has been little studied until now. For this purpose, we outline at first the structure and principles of the Western art of memory and show how Ricci applied it to Chinese contexts. Unlike the other books written by Ricci, the influence of this book on Chinese people was almost negligible. But here we can observe the way in which a 16th century European intellectual understood and appropriated the Chinese knowledge system. This is one of the important issues that arose as the different cultures of Europe and China came into contact.
Abstract
Matteo Ricci’s The Western Art of Memory(西國記法) is an attempt to apply the Western art of memory to Chinese characters and texts. In this book Ricci introduced the principles of the art of memory for the first time to China, as well as a variety of ways of remembering Chinese texts,based on his unique understanding of Chinese characters. This paper aims mainly to survey the important points of this book that has been little studied until now. For this purpose, we outline at first the structure and principles of the Western art of memory and show how Ricci applied it to Chinese contexts. Unlike the other books written by Ricci, the influence of this book on Chinese people was almost negligible. But here we can observe the way in which a 16th century European intellectual understood and appropriated the Chinese knowledge system. This is one of the important issues that arose as the different cultures of Europe and China came into contact.
참고문헌 (17)
- 히라카와 스케히로, "동서문명교류의 인문학 서사시" (2002), 동아시아
- 이연승, "예수회 색은주의 선교사들의 유교 이해", 종교와 문화, 3(17), pp.33~66 (2009), 종교문제연구소
- 조대호, "기억과 상기: 아리스토텔레스의 ｢기억과 상기에 대하여｣ 2장에 대한 분석", 철학연구, 2012(96), pp.5~38 (2012), 철학연구회
- Frances A. Yates, "The Art of Memory" (2001), University of Chicago Press
- Gerad Genette, "Mimologiken, In Reise nach Kratylien" (2001), Frankfurt am Main
- Gerhard F. Strasser, "Die Doma¨ne des Emblems" (2004), Wiesbaden
- Harry Caplan, "Rhetorica Ad Herennium" (1954), Harvard University Press
- Helga Hajdu, "Das Mnemotechnische Schrifttum des Mittelalters" (1967), Amsterdam
- Jonathan Spence, "The Memory place of Matteo Ricci" (1988)
- Marry Carruthers, "The Medieval Craft of Memory" (2002), An Anthology of Texts and Pictures
- Mary Carruthers, "The Craft of Thought. Meditation, In Rhetoric and the Making of Images, 400-1200" (1998), Cambridge University Press
- Mary Carruthers, "Book of Memory. A Study of Memory in Medieval Culture" (2008), Cambridge University Press
- Michael Lackner, "Das Vergessene Geda¨chtnis, In Die Jesuistische Mnemotechnische Abhandlung XIGUO JIFA" (1986), Stuttgart
- Rita Widmaier, "Gottfried Wilhelm Leibniz, In Der Breifwechsel mit den Jesuiten in China(1689∼1714)" (2006), Hamburg
- Robert Schwickerath S. J., "Jesuit Education. Its History and Principles Viewed in the Light of Modern Educational Problems" (1903), Missouri
- U. Eco, "An Ars Oblivionalis? Forget It!", PMLA, 103, pp.254~261 (1988)
- Wolf Lepenies, "Das Ende der Naturgeschichte", Wandel kultureller Selbstversta¨ndlichkeit in den Wissenschaften des 18. und 19. Jahrhundert, Mu¨nchen, ~ (1976)