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무라카미 하루키(村上春樹)문학에서의 숲(林)과 동아시아

A Study of Wood and East Asia on Murakami Haruki’s Literature

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주제분류학제간연구

초록

A potential wandering of China means not only a diverting from previously programmed concept of China but also my own imagination of China in the chaotic state of a small portion of poison. A dark painful shadow grown hard like a rubber soul comes from jelly-humid spiritual darkness. The reason why a little Chinese girl utters “it is not the place I belong to” is tantamount to saying that she aboard on Sputinique travels the universe alone and realizes that she herself is “a nowhere man,” thereby attempting to escape from there like the person Truman in the movie. Freeing oneself from the past thinking rule to lead oneself to a world as it is, we need to have personal courage which will deliver us from a chaotic world. We also have to understand that a system is a tool made for human being, not even for the system itself. A system without soul is unable to become an aim. In the past two World Wars, humans were sacrificed for the system whose byproducts are still going on. First of all, individuals need to understand the system they belong to and should not give themselves up to the system. The system here is not the goal for system's sake; the system is not a godlike being. East Asians such as China, Japan, and Korea have dreams to build a world in which they have their own ideals free from the previously made system.

Abstract

A potential wandering of China means not only a diverting from previously programmed concept of China but also my own imagination of China in the chaotic state of a small portion of poison. A dark painful shadow grown hard like a rubber soul comes from jelly-humid spiritual darkness. The reason why a little Chinese girl utters “it is not the place I belong to” is tantamount to saying that she aboard on Sputinique travels the universe alone and realizes that she herself is “a nowhere man,” thereby attempting to escape from there like the person Truman in the movie. Freeing oneself from the past thinking rule to lead oneself to a world as it is, we need to have personal courage which will deliver us from a chaotic world. We also have to understand that a system is a tool made for human being, not even for the system itself. A system without soul is unable to become an aim. In the past two World Wars, humans were sacrificed for the system whose byproducts are still going on. First of all, individuals need to understand the system they belong to and should not give themselves up to the system. The system here is not the goal for system's sake; the system is not a godlike being. East Asians such as China, Japan, and Korea have dreams to build a world in which they have their own ideals free from the previously made system.

참고문헌 (13)

  1. 村上春樹, "村上春樹全作品集②1979-1989 양을 둘러싼 모험(羊をめぐる冒険)", pp.242~ (1990), 講談社
  2. 村上春樹, "중국행 슬로보트(中国行きのスロウㆍボート)", pp.27~28 (1990), 講談社
  3. 村上春樹, "村上春樹全作品集⑥1979-1989 노르웨이의 숲(ノルウェイの森)", pp.48~ (1991), 講談社
  4. 河合隼雄, "河合隼雄著作集 第2巻 융심리학의 전개(ユング心理学の展開)", pp.214~ (1994), 岩波書店
  5. 村上春樹, "작지만 확실한 행복" (1997), 문학사상사
  6. 村上春樹, "村上春樹全作品集⑦1990-2000 약속된 장소에서 가와이 하이오를 만나러 가다(約束された場所で河合準雄に会いにいく)", pp.281~282 (2003), 講談社
  7. 村上春樹, "村上春樹全作品⑥1990-2000 언더 그라운드(アンダーグラウンド)", pp.493~ (2003), 講談社
  8. 村上春樹, "꿈을 꾸기 위해 나는 매일 아침 일어납니다(夢を見るために毎朝僕は目覚めるのです) 무라카미 하루키 인터뷰집(村上春樹インタビュー集) 1997-2011", pp.34~ (2012), 文藝春秋
  9. 정승운, "무라카미 하루키(村上春樹)문학에서의 재해(災害) - 『개구리 군 도쿄를 구하다(かえるくん、東京を救う)』를 중심으로 -", 일본연구, (21), pp.123~150 (2014), 글로벌일본연구원
  10. 정승운, "村上春樹『ノルウェイの森』におけるロールプレイングゲーム", 동북아 문화연구, 1(39), pp.435~455 (2014), 동북아시아문화학회[DOI]
  11. 정승운, "村上春樹文学におけるアジア - 「中国行きのスロウㆍボート」を中心に -", 日本語敎育, (74), pp.155~170 (2015), 한국일본어교육학회
  12. 정승운, "근현대 일본문학 비평", pp.207~211 (2017), 제이앤씨
  13. 정승운, "天皇教のキリスト教盗作とその影に関する一考 - 河合隼雄を中心に -", 비교일본학, 46, pp.205~224 (2019), 일본학국제비교연구소[DOI]

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