오리엔탈 룩에 표현된 메이크업에 관한 연구 - 2007, 2008년 컬렉션을 중심으로_
A Study on the Oriental Makeup - Centering on 2007 and 2008 Collections_
1
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
With a cultural movement that pursues the origin of humanity, exploration of and interest in mentality of the Orient have been emphasized and orientalism has been paid much attention to by designers around the world with post-modernism. To analyse orientalism represented in makeup, this study examines features of orientalism, targeting 2007 and 2008 collections. For the purpose, it divides it into ethnic image, mixed image, and future-oriented image. First, the collections represent traditional costume in modern style and makeup is represented in graphic image and traditional image. Second, in mixed image, multi-cultural images are strongly represented and makeup has a grotesque element. Third, in the future-oriented image, colorful representation is controlled due to minimalism, skin is makeup bright and coal makeup is shown. As a result of the study, it is found that orientalism in the collections reinterprets traditional images into modern sense through combination and transformation, rather than using it as it was. It is expected that orientalism will be represented through more improved techniques under coexistence and harmony with various cultures.
Abstract
With a cultural movement that pursues the origin of humanity, exploration of and interest in mentality of the Orient have been emphasized and orientalism has been paid much attention to by designers around the world with post-modernism. To analyse orientalism represented in makeup, this study examines features of orientalism, targeting 2007 and 2008 collections. For the purpose, it divides it into ethnic image, mixed image, and future-oriented image. First, the collections represent traditional costume in modern style and makeup is represented in graphic image and traditional image. Second, in mixed image, multi-cultural images are strongly represented and makeup has a grotesque element. Third, in the future-oriented image, colorful representation is controlled due to minimalism, skin is makeup bright and coal makeup is shown. As a result of the study, it is found that orientalism in the collections reinterprets traditional images into modern sense through combination and transformation, rather than using it as it was. It is expected that orientalism will be represented through more improved techniques under coexistence and harmony with various cultures.
참고문헌 (9)
- 이경은, "오리엔탈리즘 패션의 컬러 연구", 석사, pp.2003
- 정흥숙, "서양 복식문화사" (1997), 교문사
- 장승미, "현대 패션에 나타난 오리엔탈리즘에 관한 연구", 석사, pp.2002
- 이연순, "21세기 초 패션쇼를 통해 본 오리엔탈리즘의 표현법", 석사, pp.2004
- , J. Kor. Soc. Beauty and Art, 9(1) (2008)
- 이승주, "패션쇼에 나탄 메이크업 트렌드 이미지에 관한연구", 석사, pp.2005
- 정은희, "현대 패션에 나타난 메이크업에 관한 연구", 석사, pp.2003
- 도미니크 파케, "화장술의 역사", 시공사
- 김정혜, "패션이 사랑한 미술", 아트북스
