金始鑌의 <李白古風次韻>에 나타난 李白 <古風> 수용과 변주 – 작법상의 비교를 중심으로 –

Abstract

This study examines the patterns of how Kim Si-bin(金始鑌) accepted and variated Li Bai(李白)'s <Gufeng(古風)> in his <Libaigufengchaun(李白古風次韻)>, in terms of writing methods. The results of analysis are summarized as follows. In case of using the rhyming words, Li Bai's <Gufeng> seems to be transformed from ancient poems of the Han, Wei and Six Dynasties(漢魏六朝): in the sense that Li Bai had a command of Suguipun(首句入韻) on 12 pieces of <Gufeng>, used rhymes in the manner of coexistent that either applying identical rhyme to the first line or not, and alternated between Pyeongun(平韻) and Cheukun(仄韻) without certain rules of rhyming interval. In <Libaigufengchaun> by Kim Si-bin, however, these ways such as Suguipun and applying identical rhyme to the first line were not acceptable. At the base of this pattern was the intention to be less restricted by the rhymes of <Gufeng>, and it can be said to be the result of recognizing the rhyming scheme at the ends of even lines(隔句押韻) as a unique principle of ancient five characters poems. One of the features of poetic diction of ancient poems is the usage of circle phrase(連環句), which is suitable for sincerely expressing some emotions of poetic narrator by forming a kind of chain structure with using reduplication(重字), so that it could be a favorite method in the ancient poetry. Li Bai and Kim Si-bin both used the circle phrase; the one expressed his feelings of longing for his hometown and the fleetingness of finite life, the other delivered the own expectation for a change in the turbulent times of partisan strife and the doctrine of Zonhwayangi(尊華攘夷: to respect China and ostracize barbarians). The rhetorical method commonly used by Li Bai and Kim Si-bin is a metaphor(比興), and a case in point is ‘the sun covered by floating clouds’. This expression originates from the phrase “Buyunpyebaekil(浮雲蔽白日)” in <Gosisipgusu(古詩十九首: the nineteen ancient poems)>, and which is a characteristic rhetoric used in Li Bai's <Gufeng>. They used this metaphor in a variety of ways: to satirize a chaotic situation in which the royal authority was violated by stratagems of petty cliques and the treacherous, as well as to lament the miserable situation that having no favorable opportunity for the talented(懷才不遇).