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Challenging the ʻʻScrutinous Gazeˮ: Eliza Haywoodʼs Female Spectator

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The primary aim of this paper is to take issue with the common approach that Eliza Haywood’s Female Spectator is part of the conservative conduct literature that advocates the ideal of domestic women within the private sphere. This paper focuses on the complex ways in which her periodical challenges the visual authority of Mr. Spectator and profoundly revises the assumptions towards women and consumption found in Joseph Addison and Richard Steele’s The Spectator papers. In doing so, I argue that Haywood’s periodical does not function as a passive conduit for patriarchal norms and domestic ideology but should be seen as a radical intervention in reformulating spectatorship in ways that empower women. By establishing her authority as a discerning female spectator who is able to challenge men’s “scrutinizing gaze,” Haywood not only becomes a powerful model for her readers but insists that women can become active seeing subjects who can exercise proper judgments and participate in both private and public realms.

Abstract

The primary aim of this paper is to take issue with the common approach that Eliza Haywood’s Female Spectator is part of the conservative conduct literature that advocates the ideal of domestic women within the private sphere. This paper focuses on the complex ways in which her periodical challenges the visual authority of Mr. Spectator and profoundly revises the assumptions towards women and consumption found in Joseph Addison and Richard Steele’s The Spectator papers. In doing so, I argue that Haywood’s periodical does not function as a passive conduit for patriarchal norms and domestic ideology but should be seen as a radical intervention in reformulating spectatorship in ways that empower women. By establishing her authority as a discerning female spectator who is able to challenge men’s “scrutinizing gaze,” Haywood not only becomes a powerful model for her readers but insists that women can become active seeing subjects who can exercise proper judgments and participate in both private and public realms.

참고문헌 (20)

  1. Addison, Joseph, "The Spectator. Ed. Donald F. Bond. 5 vols" (1965), Clarendon P
  2. Addison, Joseph, "The Spectator. Ed. Henry Morley" (2004), The Project Gutenberg EBook
  3. Ballaster, Ros, "Seductive Forms: Women’s Amatory Fiction" (1992), Clarendon P
  4. Ingrassia, Catherine, "Authorship, Commerce, and Gender in Early Eighteenth-Century England" (1998), Cambridge UP
  5. Girten, Kristin M., "Unsexed Souls: Natural Philosophy in Haywood’s Female Spectator", Eighteenth-Century Studies, 43, pp.55~74 (2009)
  6. Haywood, Eliza, "Eliza Haywood’s Periodical (1744-1746)" (1929), Bodley Head
  7. Hollis, Karen, "Eliza Haywood and the Gender of Print", Eighteenth Century, 38, pp.43~62 (1997)
  8. Koon, Helene, "Eliza Haywood and The Female Spectator", The Huntington Library Quarterly, 42, pp.43~55 (1978)
  9. Merritt, Juliette, "Beyond Spectacle: Eliza Haywood’s Female Spectators" (2004), U of Toronto P
  10. Messenger, Ann, "His and Hers: Essays in Restoration and Eighteenth-Century Literature", pp.108~147 (1986), UP of Kentucky
  11. Nicolson, Marjorie Hope, "The Microscope and English Imagination", Smith College Studies in Modern Language, 16, pp.428~462 (1935)
  12. Saxton, Kirsten, "The Passionate Fictions of Eliza Haywood: Essays on Her Life and Work" (2000), The U of Kentucky
  13. Schofield, Mary Ann, "Eliza Haywood" (1985), Twayne
  14. Shevelow, Kathryn, "Women and Print Culture: The Construction of Femininity in the Early Periodical" (1989), Routledge
  15. Spencer, Jane, "The Rise of the Woman Novelist: From Aphra Behn to Jane Austen" (1986), Basil Blackwell
  16. Tierney-Hynes, Rebecca, "Fictional Mechanics: Haywood, Reading, and the Passions", The Eighteenth Century, 51, pp.153~172 (2010)
  17. Whicher, George, "The Life and Romances of Mrs" (1915), Columbia UP
  18. Warner, William, "Licensing Entertainment" (1998), U of California P
  19. Wright, Lynn Marie, "Fair Philosopher: Eliza Haywood and Female Spectator" (2006), Bucknell UP

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