본문 바로가기
KERD
논문KCI 등재

현대예술작품에서 이미지 차용의 저작권에 관한 연구 - 서울지하철 6·7호선 장식벽화, 공근혜 갤러리와 대한항공의 사례를 중심으로

A Study of Appropriating Image Copyright in terms of Contemporary Art Work

0

조회

0

다운로드

1

인용

0

참고문헌

키워드

주제분류사진

초록

At the moment, advances indigital and communication technology are speeding up incredible. Comparing the present focus and concern regarding the copyright in the various field of society with the past, we can observe the matters that it is making progress fiercely no less than advances in those thchnology. The art of Contemporary a trend, which directly borrows the form and pattern of pre-existing works and presents a reinterpretation on them. This soft of movement appears to reflect the artist`s attempt to get acquainted with the public, while giving up the modernism`s goal which tries to maintain the modern art as a belonging to the high society. In particular, the parody and pastiche denies the fixed value and thought and addresses a new value based on reinterpretation of the pre-existing forms. Appropriation is one of the widespread techniques in Contemporary art works, which is concerned with a long debate between originality and imitation. Whereas Modernism advocated originality, Postmodernism supported copy. The overall purpose of this dissertation is to suggest fair use exception for the use Contemporary artist in works of art is to strike a balance between the rights of the Contemporary artist and the interests of public in the vibrant and discursive forum.

Abstract

At the moment, advances indigital and communication technology are speeding up incredible. Comparing the present focus and concern regarding the copyright in the various field of society with the past, we can observe the matters that it is making progress fiercely no less than advances in those thchnology. The art of Contemporary a trend, which directly borrows the form and pattern of pre-existing works and presents a reinterpretation on them. This soft of movement appears to reflect the artist`s attempt to get acquainted with the public, while giving up the modernism`s goal which tries to maintain the modern art as a belonging to the high society. In particular, the parody and pastiche denies the fixed value and thought and addresses a new value based on reinterpretation of the pre-existing forms. Appropriation is one of the widespread techniques in Contemporary art works, which is concerned with a long debate between originality and imitation. Whereas Modernism advocated originality, Postmodernism supported copy. The overall purpose of this dissertation is to suggest fair use exception for the use Contemporary artist in works of art is to strike a balance between the rights of the Contemporary artist and the interests of public in the vibrant and discursive forum.

참고문헌 (13)

  1. 오승종, "저작권법" (2007), 박문각
  2. 정상조, "지적재산권법" (2004), 홍문사
  3. 존 버거, "이미지-시각와 미디어" (2000), 동문선
  4. 손수호, "미술저작권 이용에 관한 연구", 석사, 저널리즘학, pp.2004
  5. 유대종, "저작권 남용의 법리에 관한 연구", 박사, 지적재산권법, pp.2006
  6. 채명기, "꼬리에 꼴히는 부는 저작권", 미술세계, ~ (2002)
  7. 정상조, "창작과 표절의 구별기준", 서울대 법학, 44(1) (2003)
  8. 문화예술산업 관련 저작권법제의 정비방향, "임원선", 중앙대학교 법학연구소, ~ (2003)
  9. Valter, Benjamin, "발터 벤야민의 문예이론”중 기술복제시대의 예술작품" (1983), 민음사
  10. 김연희, "미술관과 저작권", 현대미술관, 9 (1998)
  11. 서달주, "한국저작권법" (2007), 박문각
  12. 저작권심의위원회, "저작권표준용어집", ~ (1993)
  13. 심광현, "차용된 표절", 월간미술, ~ (1992)

관련 논문AI추천

이 간행물의 다른 논문 (7건)