出处与山水* －从谢安到谢朓－
Chu-chu andlandscape: fromXieAntoXieTiao
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Landscape appeared in literary works as an independent aesthetic image in the Southern Dynasty. Many theorists always discussed about the reason. This paper tries to discusses the inner link between the problem of chu-chu (taking an active part in officialdom or withdrawing from officialdom) and the find of landscape from the angle of Xie in Chen prefecture. First, Xie An both had a life of pleasure and resolved the pain through the landscape; Xie Ling-yun experienced philosophic theory in the landscape, which laid a foundation for the thriving of the scenery. Xie Tiao integrated the landscape into everyday life in official residence or journey. The landscape ultimately becomes the officialdom in place of escape.
Abstract
Landscape appeared in literary works as an independent aesthetic image in the Southern Dynasty. Many theorists always discussed about the reason. This paper tries to discusses the inner link between the problem of chu-chu (taking an active part in officialdom or withdrawing from officialdom) and the find of landscape from the angle of Xie in Chen prefecture. First, Xie An both had a life of pleasure and resolved the pain through the landscape; Xie Ling-yun experienced philosophic theory in the landscape, which laid a foundation for the thriving of the scenery. Xie Tiao integrated the landscape into everyday life in official residence or journey. The landscape ultimately becomes the officialdom in place of escape.
참고문헌 (14)
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