석재(石齋) 서병오(徐丙五, 1862~1936)의 기생 이름을 명시한 시서화 연구
A Study on the Poetry, Calligraphy, Paintings with Courtesan(Kisaeng) Names by Seok-Jae Seo Byeong-Oh(1862-1936)
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This study is about the works of Seok-Jae Seo Byeong-Oh(1862~1936), a poetry-calligraphic painter in modern Daegu, especially his works with courtesans’ names on. Among his 23 poetry paintings, 22 real names were revealed. Those names are So-oak(小玉), Un-mae(雲槑), Sum-wol(纖月), Yeoun-hong(蓮紅), Oak-yeon(玉蓮), Goo-so(九簫), Kyung-ran(瓊蘭), Nam-jun(藍田), Gum-gye(錦溪), Nam-jun(南田), Un-jung(雲汀), Gun-young(槿英), Sul-gang(雪岡), Choo-dang(秋塘), So-ha(小荷), Soo-sun(水仙), Oak-mee(玉美), Oak-jung(玉井), Gum-sim(琹心), Jin-oak(眞玉), Ga-pae(可佩), Yi-hyang(二香). The courtesans, whose names appeared in Seo Byeong-Oh's poetry-calligraphic paintings, had a particular significance as a social class that had opened up expectations about the role of women as a fancier and enthusiasts towards poetry-calligraphic paintings. The designation of the courtesan is divided into two groups, Yeosa(lady), Yeosa(female scholar) or Hyangryum, Hyangwan. In the former case, it can be understood that they were more knowledgeable in appreciating and creating poetry-calligraphic paintings. The works range from courtship, recalling past relationships, the transience of life, and recognition of literary talent.
Abstract
This study is about the works of Seok-Jae Seo Byeong-Oh(1862~1936), a poetry-calligraphic painter in modern Daegu, especially his works with courtesans’ names on. Among his 23 poetry paintings, 22 real names were revealed. Those names are So-oak(小玉), Un-mae(雲槑), Sum-wol(纖月), Yeoun-hong(蓮紅), Oak-yeon(玉蓮), Goo-so(九簫), Kyung-ran(瓊蘭), Nam-jun(藍田), Gum-gye(錦溪), Nam-jun(南田), Un-jung(雲汀), Gun-young(槿英), Sul-gang(雪岡), Choo-dang(秋塘), So-ha(小荷), Soo-sun(水仙), Oak-mee(玉美), Oak-jung(玉井), Gum-sim(琹心), Jin-oak(眞玉), Ga-pae(可佩), Yi-hyang(二香). The courtesans, whose names appeared in Seo Byeong-Oh's poetry-calligraphic paintings, had a particular significance as a social class that had opened up expectations about the role of women as a fancier and enthusiasts towards poetry-calligraphic paintings. The designation of the courtesan is divided into two groups, Yeosa(lady), Yeosa(female scholar) or Hyangryum, Hyangwan. In the former case, it can be understood that they were more knowledgeable in appreciating and creating poetry-calligraphic paintings. The works range from courtship, recalling past relationships, the transience of life, and recognition of literary talent.
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