동시대 무대에서 몸 기호화하기(mise-en-signe): 미국 페미니스트극 무대를 중심으로

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참고문헌 (19)

1. "An Introduction to Feminism and Theatre" (1995), Routledge
2. "Foucault, Femininity, and the Modernization of Patriarchal Power", pp.25~45 (1998), New York: Oxford UP
3. "Semiotics in the Folk Theater Semiotics of Art", pp.33~50 (1976), MIT Press
4. "The Effacements of Postmodern Culture" (1994), of Michigan Press
5. "Bodies That Matter" (1993), Routledge
6. "French performance artist Orlan undergoes plastic surgery to exress artistic vision"
7. "Facial figurations. (performance artist Orlan's plastic surgeries: Inteviews)" (1996), New Statesman and Society
8. "The Ubu Plays" (1968), Grove Weidenfeld
9. "Makrosoziologische Untersuchung von Marx bis zur Soziologie der Gegenwart Reinbek bei Hamsburg" (1972)
10. "Presence" in absentia: experiencing performance as documentation. (Performance art focusing on the human body in the early 1960s through the 1970s" (1997)
11. "Das Problem der Entfremdung in den Dramen Samuel Becketts" (1979)
12. "Saint Orlan faces reincarnation. (artist's video-recording series of surgical procedures entitled 'Reincarnation of Saint Orlan')" (1997)
13. "The Semiotic Stage: Prague School Theater Theory" (1995), Peter Lang. Pubs. Inc
14. "Art in America" (1993)
15. "Body Image" (2000)
16. "The Explicit Body in Performance" (1997), New York: Routledge.
17. "기호학으로 본 연극세계" (2000), 서울: 신아사
18. "잔혹연극의 이론: 아르또와 잔혹연극론", pp.130~153 (2003)
19. "Contemporary mise-en-signe of Body Focused on American Feminist Stage"

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