월트 휫먼과 T. S. 엘리엇: 이들의 종교적 감수성과 시
Walt Whitman and T. S. Eliot: Their Religious Sensibility and Poetry
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
The Bible is the sources of the poetic visions of Walt Whitman and T. S. Eliot. Their poetic visions, however, are quite different from each other, not only because of the differences of the religious backgrounds of their own inner worlds. but also because of their own religious sensibility. Whitman was born in a Quaker family and Eliot in a Puritan family which had turned a Unitarian, but their own religious sensibility was more instrumental in making their poetic visions similar and different. Their religious sensibilities were nurtured by their reading of the Bible, but their understandings of it were so quite different from each other. While Whitman had faith in man’s divinity and sang of the unity of body and soul, Eliot believed in man’s sinfulness and illustrated the disunity of body and soul. The similarities and differences of their poetic visions were formulated by their religious sensibilities. The differences of their poetic visions gave birth to the different poetic techniques, but their similarities lie in their ultimate goals to find their identities and reach God. While Whitman, regarding sex as divine, stands naked proudly before God the Elder Brother as a Young Brother, Eliot, regarding sex as the source of original sin, humbly kneeled down dressed as a sinner before God the Lord.
Abstract
The Bible is the sources of the poetic visions of Walt Whitman and T. S. Eliot. Their poetic visions, however, are quite different from each other, not only because of the differences of the religious backgrounds of their own inner worlds. but also because of their own religious sensibility. Whitman was born in a Quaker family and Eliot in a Puritan family which had turned a Unitarian, but their own religious sensibility was more instrumental in making their poetic visions similar and different. Their religious sensibilities were nurtured by their reading of the Bible, but their understandings of it were so quite different from each other. While Whitman had faith in man’s divinity and sang of the unity of body and soul, Eliot believed in man’s sinfulness and illustrated the disunity of body and soul. The similarities and differences of their poetic visions were formulated by their religious sensibilities. The differences of their poetic visions gave birth to the different poetic techniques, but their similarities lie in their ultimate goals to find their identities and reach God. While Whitman, regarding sex as divine, stands naked proudly before God the Elder Brother as a Young Brother, Eliot, regarding sex as the source of original sin, humbly kneeled down dressed as a sinner before God the Lord.
참고문헌 (54)
- "성경전서.새번역" (2006), 대한성서공회
- 한국천주교중앙협의회, "집회서 성경", ~ (2005)
- 현영민, "T. S. 엘리엇의 시: "감히 복숭아를 따 먹어볼까?"", T. S. 엘리엇연구, 12(1), pp.81~105 (2002), 한국T.S.엘리엇학회
- 현영민, "포우, 휫먼, 그리고 엘리엇", 영어영문학, 51(4), pp.863~886 (2005), 한국영어영문학회
- Ackroyd, Peter, "T. S. Eliot: A Life" (1984), Simon
- Allen, Gay Wilson, "The Solitary Singer: A Critical Biography of Walt Whitman. 1955" (1955), U of Chicago P
- Augustine, St, "The Trinity" (2002), New City
- Augustine, St, "Tractates on the Gospel of John 11-27" (2003), Catholic U of America P
- Baillie, John, "Preface. Revelation", pp.4~24 (1937), Faber
- Blake, William, "Complete Poetry and Prose of William Blake" (1988), Doubleday
- Bloom,Harold, "Introduction in T. S. Eliot’s The Waste Land", pp.1~7 (1986), Chelsea
- Bucke, Richard Maurice, "Walt Whitman" (1883), David McKay
- Bucke, Richard Maurice, "Cosmic Consciousness: A Study in the Evolution of the Human Mind" (1993), Citadel
- Calvin, John, "Institutes of the Christian Religion. 2 vols" (1960), Westminster John Knox
- Crossman, Jay, "‘Profession of the Calamus’: Whitman, Eliot, Matthiessen in Leaves of Grass: The Sesquicentennial Essays", pp.321~342 (2007), U of Nebraska P
- Eliot, T. S, "A Note on Poetry and Belief", The Enemy: A Review of Art and Literature, 1, pp.15~19 (1927)
- Eliot, T. S, "The Influence of Landscape upon the Poet", Journal of the American Academy of Arts and Sciences, 89(2), pp.420~428 (1960)
- Eliot, T. S, "Christianity and Culture: The Idea of a Christian Society and Notes towards the Definition of Culture" (1968), Harcourt
- Eliot, T. S, "Introduction: 1928 Selected Poems of Ezra Pound", pp.7~21 (1948), Faber
- Eliot, T. S, "Inventions of the March Hare: Poems 1909-1917" (1997), Harcourt
- Eliot, T. S, "On Poetry and Poets" (1957), Noonday
- Eliot, T. S, "Selected Essays" (1999), Faber
- Eliot, T. S, "T. S. Eliot’s Commentaries in The Criterion, 1922-1939" (1993), Hanshin
- Eliot, T. S, "The Complete Poems and Plays of T. S. Eliot" (1982), Faber
- Eliot, T. S, "The Varieties of Metaphysical Poetry", Harcourt (1993)
- Eliot, T. S, "To Criticize the Critic and Other Writings" (1978), Faber
- Gordon, Lyndall, "T. S. Eliot: An Imperfect Life" (2000), Norton
- Hall, Donald, "T. S. Eliot in Poets at Work: The Paris Review Interviews", pp.25~45 (1989), Penguin
- Hubach, Robert R, "Three Uncollected St. Louis Interviews of Walt Whitman", American Literature, 14, pp.141~147 (1942)
- Hulme, T. E, "Collected Writings of T. E. Hulme" (2001), Oxford UP
- James, Henry, "Mr. Walt Whitman (1865) in A Century of Whitman Criticism", pp.13~18 (1865), Indiana UP
- Loving,Jerome, "Walt Whitman: The Song of Himself" (1999), U of California P
- Miller, James E., Jr, "Whitman and Eliot: The Poetry of Mysticism", Southwest Review, 43(2), pp.113~123 (1958)
- Miller, James E., Jr, "T. S. Eliot: The Making of an American Poet, 1888-1922" (2005), Pennsylvania State UP
- Morison, Samuel Eliot, "The Oxford History of the American People" (1965), Oxford UP
- Musgrove, S, "T. S. Eliot and Walt Whitman" (1952), New Zealand UP
- Myerson, Joel, "Walt Whitman in His Own Time: A Biographical Chronicle of His Life, Drawn from Recollections, Memoirs, and Interviews by Friends and Associates" (2000), U of Iowa P
- Norton, Charles Eliot, "Whitman’s Leaves of Grass in A Century of Whitman Criticism", pp.2~4 (1969), Indiana UP
- Price, Kenneth M, "Walt Whitman: The Contemporary Reviews" (2009), Cambridge UP
- Raine, Craig, "The Awful Daring of T. S. Eliot in T. S. Eliot: Critical Assessments 4 vols", pp.400~405 (1990), Christopher Helm
- Reynolds, David S, "Walt Whitman’s America: A Cultural Biography" (1995), Knopf
- Schuchard, Ronald, "Eliot’s Dark Angel: Intersections of Life and Art" (1999), Oxford UP
- Shapiro, Karl, "T. S. Eliot: The Death of Literary Judgement in T. S. Eliot: Critical Assessments. Ed. Graham Clarke. 4 vols Vol. 2", pp.263~277 (1990), Christopher Helm
- Shklovsky, Victor, "Art as Technique in Russian Formalist Criticism: Four Essays", pp.3~24 (1965), U of Nebraska P
- Sowder,Michael, "Whitman’s Ecstatic Union: Conversion and Ideology in Leaves of Grass" (2005), Routledge
- Stovall, Floyd, "Main Drifts in Whitman’s Poetry in Whitman: The Best from American Literature", pp.1~19 (1987), Duke UP
- Traubel, Horace, "With Walt Whitman in Camden", ~ (1996), 9 vols. Vols. 1-3 (New York: Rowman, 1905, 1914, 1961). Vol. 4 (Philadelphia: U of Pennsylvania P, 1953). Vols. 5-7 (Carbondale: Southern Illinois UP, 1964, 1982, 1992). Vols. 8-9 (Oregon House: Bentley, 1996).
- Trowbridge, John Townsend, "My Own Story: With Recollections of Noted Persons" (1903), Houghton
- Whitman, Walt, "Complete Writings of Walt Whitman. 10 vols" (1902), Putnam’s
- Whitman, Walt, "Leaves of Grass. Comprehensive Reader’s Edition" (1965), New York UP
- Whitman, Walt, "Notebooks and Unpublished Prose Manuscripts. Vol. 1,6" (1984), New York UP
- Whitman, Walt, "Prose Works 1892, 2 vols" (1964), New York UP
- Whitman, Walt, "The Journalism. 1, 2 vols", pp.1834~1846 (1998), Peter Lang
- Whitman, Walt, "Walt Whitmans Workshop: A Collection of Unpublished Manuscripts" (1964), Russell
