향수의 예술 지위에 대한 고찰
A Critical Examination on the Art Status of Perfumes
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예술가가 다양한 매체를 사용하여 예술작품을 만든다는 점에는 이견의 여지가 없다. 하지만 그동안 예술작품에 사용된 매체를 보면 우리의 감각 중 시각과 청각으로 포착될 수 있는 것에 편중되어 왔다고 생각된다. 이는 감각 위계에 대한 전통적인 철학적 관점에서 비롯되었다는 것이 한 가지 이유일 것이다. 최근 들어 향기나 악취와 같은 냄새가 작품의 매체로 사용됨으로써 냄새에 기반한 작품의 수가 급격히 증가하고 있다. 따라서 여느 때보다 냄새가 매체로 사용된 작품에 대한 철학적 탐구의 필요성이 제기된다. 이런 상황 속에서 이 논문은 냄새가 매체로 사용된 작품의 예술 지위, 즉 향수가 예술작품이라는 브로조(Chiara Brozzo)의 주장을 비판적으로 검토하면서 향수의 예술 지위에 대해 고찰하는 것을 목표로 한다.
Abstract
There is no disagreement that artists use diverse media to create artworks. Considering the media used in the process of producing those artworks, however, it seems that our senses have only been focused on what can be captured with our sight and hearing. This may be due to the traditional standpoint concerning the sensory hierarchy. Recently, the number of works adopting olfactory qualities has been rapidly increasing as various smells including scents and odors are being used as means of creation. This calls for the need of further philosophical exploration on olfactory properties more than ever. This paper aims to critically examine the art status of olfactory works by reviewing Chiara Brozzo’s argument that some perfumes can be works of art.
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