드라마 <大江大河>를 통해 본 중국 개혁개방 서사
A Study on Reform and Opening-up Reflected in Like a Flowing River
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Chinese TV drama Like a Flowing River(大江大河, 2018) is one of the leading dramas dedicated to commemorating the 40th anniversary of Reform and Opening-up in China. Among them, Like a Flowing River based on A Nai's original novel, is drawn mainly from three characters from 1978 to 1988, in the early days of Reform and Opening-up. Song Yunhui is from a rural middle-aged class, after studying hard and going to university, he works hard at a state-owned chemical plant. Lei Dongbao, a former military soldier, returns to his hometown village and works as a grass-roots cadre to work for the villagers to accumulate wealth together. Yang Xun starts a small business by steaming and selling Mantou himself, and then he reaches the position of managing a wholesale market. Through the twists and turns of the figures representing the three economic parts, it focuses on the life of ‘ordinary people’ in China in the early stages of Reform and Opening-up. We can see what kind of Reform and Opening-up China wants to show and how the Chinese people want to see and memory through the narrative of the Reform and Opening-up, represented on this successful Chinese mainstream TV drama that has both commerciality and popularity. By packaging as ‘the story of ordinary people who lived in the great age’, it intends to enhance and inherit the value and meaning of Reform and Opening-up. Nevertheless, I would like to call the question of whether that provided an equal opportunity for all to succeed and provided the same level of economic wealth and psychological stability.
Abstract
Chinese TV drama Like a Flowing River(大江大河, 2018) is one of the leading dramas dedicated to commemorating the 40th anniversary of Reform and Opening-up in China. Among them, Like a Flowing River based on A Nai's original novel, is drawn mainly from three characters from 1978 to 1988, in the early days of Reform and Opening-up. Song Yunhui is from a rural middle-aged class, after studying hard and going to university, he works hard at a state-owned chemical plant. Lei Dongbao, a former military soldier, returns to his hometown village and works as a grass-roots cadre to work for the villagers to accumulate wealth together. Yang Xun starts a small business by steaming and selling Mantou himself, and then he reaches the position of managing a wholesale market. Through the twists and turns of the figures representing the three economic parts, it focuses on the life of ‘ordinary people’ in China in the early stages of Reform and Opening-up. We can see what kind of Reform and Opening-up China wants to show and how the Chinese people want to see and memory through the narrative of the Reform and Opening-up, represented on this successful Chinese mainstream TV drama that has both commerciality and popularity. By packaging as ‘the story of ordinary people who lived in the great age’, it intends to enhance and inherit the value and meaning of Reform and Opening-up. Nevertheless, I would like to call the question of whether that provided an equal opportunity for all to succeed and provided the same level of economic wealth and psychological stability.
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