인도 뽀유르 사원의 뿌티야 바가와티 떼이얌에 관한 제의성 연구

Abstract

The aim of this paper is to analyze choregraphy, style and structure of ritual dance of Putiya Bhagavity Teyyam. Teyyam, a form of religious dance performance prevalent in India, is performed as part of local religious festivals. Teyyam represents Indian folk religious and artistic traditions, attitudes and practices, which have been neglected in Korean scholarship until recently. Putiya Bhagavity Teyyam evokes and manipulates its powerful symbols to exercise shanmanic and magical efficacy and to entertain its audiences, both human and its divine. Putiya Bhagavity Teyyam is actually incarnated at least twice in the course of a festival, the two phases marked by different costume-forms which are donned successively by the same individual performer who has been dedicated to that particular god in the earlier ceremonies. Additionally Putiya Bhagavity Teyyam dances are compared with Korea's Gut(Shamanistic performance). This study is based mainly on the field-work, conducted in January, 2005 at kerala, Malabar in India. Therefore this study concentrates on teyyam of kannur.