본문 바로가기
KERD
논문KCI 등재

이동안을 통해본 화성재인청춤의 가치 연구

Hwasung Jaeinchung dance's value(with Mr.Lee-dong-an as the central figure)

0

조회

0

다운로드

5

인용

0

참고문헌

키워드

주제분류무용

초록

Mr.Lee-dong-an who was a progeny of Hwasung Jaeinchung's performer was a talent artiste. Jaeinchung is a agency of entertainment and performance which had controled professional district private performance officially, and sometimes it called shaman's systematic agency. especially, Kyungi province's Hwasung Jaeinchung was the biggest agency. After Hwasung Jaeinchung was closed compulsory by a national culture extinguishant policy in a Japan's occupy, it turned to western style's theater or private activity. During this period, Mr.Lee-dong-an met Mr.Kim-in-ho who was a distinguished folk-art dancer came from Hwasung Jaeinchung. he studied under Mr.Kim, he learned several rhythm, dances and instrument. Lee and Kim's meeting was a definite event to continue Hwasung Jaeinchung‘s dance. Even though Mr.Lee's Jaeinchung's dance was based on Kyungi province exorcism, it also include several traditional dance; royal dance, folk-dance, shaman's dance, etc. His dance isn't abstruse, it has original zest in reserve and space. Besides, his dance has static and dynamic acts. Most of all, it is very quick, lively, and a high quality, because he implied his experience of art.

Abstract

Mr.Lee-dong-an who was a progeny of Hwasung Jaeinchung's performer was a talent artiste. Jaeinchung is a agency of entertainment and performance which had controled professional district private performance officially, and sometimes it called shaman's systematic agency. especially, Kyungi province's Hwasung Jaeinchung was the biggest agency. After Hwasung Jaeinchung was closed compulsory by a national culture extinguishant policy in a Japan's occupy, it turned to western style's theater or private activity. During this period, Mr.Lee-dong-an met Mr.Kim-in-ho who was a distinguished folk-art dancer came from Hwasung Jaeinchung. he studied under Mr.Kim, he learned several rhythm, dances and instrument. Lee and Kim's meeting was a definite event to continue Hwasung Jaeinchung‘s dance. Even though Mr.Lee's Jaeinchung's dance was based on Kyungi province exorcism, it also include several traditional dance; royal dance, folk-dance, shaman's dance, etc. His dance isn't abstruse, it has original zest in reserve and space. Besides, his dance has static and dynamic acts. Most of all, it is very quick, lively, and a high quality, because he implied his experience of art.

참고문헌 (25)

  1. 경인일보, "화성재인청의 마지막 도대방 이동안" (1995), 수원: 경인일보
  2. 강지혜, "화성재인청 이동안류 엇중모리 신칼대신무 연구" (2003)
  3. 김명수, "이동안의 태평무 연구" (1983)
  4. 김상경, "이동안의 진쇠춤에 관한 연구" (1993)
  5. 김혜정, "한국무용사의 이해" (2003), 서울: 형설출판사
  6. 노동은, "한국근대음악사" (1995), 서울: 한길사
  7. 문화재관리국, "무형문화재보고서" (1991)
  8. 성기숙, "한국근대무용가 연구" (2004), 서울: 민속원
  9. 성기숙, "화성재인청의 대가, 이동안의 전통춤" (2002)
  10. 수원예총사, "수원문화예술사" (2004), 수원: 화성연구회
  11. 신현숙, "화성재인청류 승무의 구조적 분석" (2002)
  12. 양종승, "문화재 보호법과 무용전승의 문제점 그리고 그에 따른 무용계의 진통" (2005), 대한무용기록학회
  13. 안순미, "태평무 연구" (1984)
  14. 이규원, "승무살풀이 춤 무형문화재 조사보고서" (1991)
  15. 이규원, "입춤한량무, 검무, 무형문화재보고서" (1996), 국립문화재제작소
  16. 이달호, "화성건설연구" (2000)
  17. 이보형, "창우집단의 광대 소리 연구 고려대 민족문화연구소" (1990)
  18. 임미선, "정조대의 예술과 과학" (2000), 서울: 문헌과 해석사
  19. 임학선, "화성재인청류 춤의 전승양상 및 무용사적 가치 연구", 31 (2001), 대한무용학회
  20. 임학선, "재인청춤, 경기도민속지" (2000), 수원: 경기민속박물관
  21. 정주미, "이동안의 춤세계" (1998)
  22. 장정희, "경기도 전통춤 전승 현황연구" (2002)
  23. 정병호, "조선후기 민속무용의 양상 한국근세문화의 특성 조선왕조후기" (1995), 단국대동양학 연구소
  24. 정병호, "태평무와 발탈 무형문화재보고서", 149 (1976)
  25. 한국대백과사전, "한국정신문화연구원" (1991)

관련 논문AI추천

이 간행물의 다른 논문 (11건)