한국 탈춤과 일본 카구라의 제의춤 비교

Abstract

The purpose of this study is to compare two ritualities between Korea's Talchum and Japan's Kagura. Because the Kagura is a form of basic form of Talchum and considered as a mixed form of Gut and Talchum, the idea of comparison is reasonable. As a form of ritual at Mazuri and similar to Gut, not only the Kagura composed with basic structures such as Chungsin, Osin, and Songsin, but also it expresses the Japanese myth as an artistic forms and it combines and splits the rituality and art using the Chum, Torimono, mask, and beat. This study is tried to show the possibility of comparative studies between Korea's Talchum and Japan's Kagura. The Byeoksa ceremony of Talchum can be found in Gillori, Talgosa, and Byeoksachum. The Byeoksachum in Talchum can be divided into Sangjwachum, Obang Sinjangchum, and Sajachum in form of animal dance. However, Kagura is based on rituality and an artistic performance of Sinsa. The characteristics of Kagura have changed from art to ritual and the rituality is remained in Shikisanban, Hikomai, and Sisimai of Torimono Kagura, In comparition of Byeoksachum of Talchum and ritual dance of Kagura, this study compare the dances depend on the purpose and format of ritual dances. At the first, Obang Sinjangchum can be compared with Hikomai because the Sarudahiko from them contains a performance of god in purpose of purification in human world. In the second, Sajachum can be compared with Sisimai because both of them performs animal dance for expressing an existence of God. Therefore, this study tried to shows a possibility of comparison between the roles and formats of Talchum and Kagura. At the last, Sajachum can be compared with Shikisanban because both of them purify dance space and express a descending God. The Sasangjachum of Bongsan Talchum and Takachiho Yokagura of Shikisanban was used in this study