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Gender Hierarchical Hindrance in T’alch'um Performing Groups

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This article raises the subject of gender hierarchy in relations to Korean mask dance drama, t'alch'um. To demonstrate male and female unequal relationships in performing groups, I examine procedures for getting a promotion among professional dancers in preservation societies. Based on this analysis, I argue that female performers play a limited role in activities of the preservation societies, and their promotion to Yenŭng Poyucha or Chŏnsu Kyoyuk Chokyo is delayed. These phenomena to be restricted and delayed are influenced from Korean Confucian patriarchy that would re-affirm male authority and re-call an idea of gender binary in South Korean contemporary society.

Abstract

This article raises the subject of gender hierarchy in relations to Korean mask dance drama, t'alch'um. To demonstrate male and female unequal relationships in performing groups, I examine procedures for getting a promotion among professional dancers in preservation societies. Based on this analysis, I argue that female performers play a limited role in activities of the preservation societies, and their promotion to Yenŭng Poyucha or Chŏnsu Kyoyuk Chokyo is delayed. These phenomena to be restricted and delayed are influenced from Korean Confucian patriarchy that would re-affirm male authority and re-call an idea of gender binary in South Korean contemporary society.

참고문헌 (58)

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