유진오닐 희곡 기반 극무용 <느릅나무아래욕망> 재해석과 상징성 탐구
A Study on the Symbolism through the Reinterpretation of Theatrical Dance <Desire Under The Elms> Based on Eugene O’Neill’s Play
0
조회
0
다운로드
3
인용
0
참고문헌
키워드
초록
The objective of this study is to seek for the methods to solve a problem such as difficult communication with consumers when a work is created under the state in which the choreographers use the educational methods depending on polishing up excellent functions; there is no text work; and there is no intensive training for moving the theme. For the differentiation from preceding researches, the exploration was mainly focused on choreographers’ reinterpretation method for consumers, and the symbolism. As the research methods, this study intensively analyzed a 90-minute-theatrical dance work by “H” dance company based on Eugene O’Neill’s play <Desire Under The Elms>. Based on the criticism by three critics, interview with participants at that time, interview with audience, and choreographer’s intention, the results were drawn as follows. It could be summarized as reinterpretation to easy theme, set-up of logistic plot, repetitive language for friendliness, dynamic changes in objets, and utilization of symbolism of movements. In conclusion, the voyeuristic expression could arouse consumers’ imagination.
Abstract
The objective of this study is to seek for the methods to solve a problem such as difficult communication with consumers when a work is created under the state in which the choreographers use the educational methods depending on polishing up excellent functions; there is no text work; and there is no intensive training for moving the theme. For the differentiation from preceding researches, the exploration was mainly focused on choreographers’ reinterpretation method for consumers, and the symbolism. As the research methods, this study intensively analyzed a 90-minute-theatrical dance work by “H” dance company based on Eugene O’Neill’s play <Desire Under The Elms>. Based on the criticism by three critics, interview with participants at that time, interview with audience, and choreographer’s intention, the results were drawn as follows. It could be summarized as reinterpretation to easy theme, set-up of logistic plot, repetitive language for friendliness, dynamic changes in objets, and utilization of symbolism of movements. In conclusion, the voyeuristic expression could arouse consumers’ imagination.
참고문헌 (21)
- 김말복, "춤과 몸" (2010), 이화여자대학교출판부
- 김태원, "공연과 리뷰", 무용리뷰, (93) (2016), 현대미학사
- 맥신 쉬츠, "무용의 현상학" (1966), 예전사
- 모리스 메를로-퐁티, "간접적인 언어와 침묵의 목소리" (1952), 책세상
- 백정희, "관객의 유형과 우리나라 무용관객에 대한 고찰", 대한무용학회, 26, pp.186~ (1999)
- 성재형, "메를로 퐁티의 ‘몸의 현상학’에 대한 무용의 신체관 연구", 움직임의 철학 : 한국체육철학회지, 17(3), pp.163~179 (2009), 한국체육철학회
- 월터소렐, "서양무용사상사" (1999), 예전사
- 안민수, "연극연출론" (1998), 집문당
- 안병순, "E. 이오네스코 <의자들 Les Chaises>을 통한 부조리극 특성과 현대 춤의 창작과정연구", 한국체육학회지, 47(2), pp.351~359 (2008), 한국체육학회
- 오초롱, "자연주의 희곡 기반 무용공연『미스 줄리(Miss Julie)』의 미적특성 연구", 한국무용연구, 32(2), pp.233~248 (2014), 한국무용연구학회[DOI]
- 김세라, "메를로-퐁티의 현상학을 기반으로 한 무용에서의 창작자－수용자 소통 연구", 대한무용학회 논문집, 74(1), pp.1~14 (2016), 대한무용학회
- 이창욱, "뉴스컬쳐, 연습취재 인터뷰", Youtube채널,H무용극단Nu, ~ (2016)
- 장다경, "뉴스컬쳐, 연습취재 인터뷰", Youtube채널,H무용극단Nu, ~ (2016)
- 유진오닐, "느릅나무 밑에 욕망" (2011), 열린책들
- 유진오닐, "느릅나무 밑의 욕망" (2015), 지식을 만드는 지식
- 유진오닐, "느릅나무 밑의 욕망" (2007), 동인
- 이만주, "공연과 리뷰 93", pp.65~167 (2016), 현대미학사
- 장석용, "글로벌이코노믹1016.4.5.(06:26) 무용리뷰", 인터넷뉴스, ~ (2016)
- 홍선미, "입센의 사실주의 희곡 기반 무용작품 <바다에서 온 여자>의 상징성 탐구", 대한무용학회 논문집, 78(4), pp.261~282 (2020), 대한무용학회
- 홍선미, "연극의 Etude를 활용한 무용수 훈련 프로그램에 관한 연구", 대한무용학회 논문집, 49(49), pp.319~339 (2006), 대한무용학회
- H무용극단Nu, "<느릅나무아래욕망> H무용극단Nu 정기공연실황", 서강대 메리홀 대극장공연영상, ~ (2016)