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The Characteristics of Dance Criticisms in the 1990s in South Korea

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This paper aims to examine the characteristics of dance criticisms in the 1990s --especially from 1990 to 1994 -- thereby exploring causes and clues of social problems of dance criticism. I discuss the reasons and types of art criticism, drawing on the arguments of John Hospers and Jerome Stolnitz. I investigate considerations for dance criticism, and analyze the focuses and characteristics of dance criticisms written by 5critics. As some of their criticisms show subjective evaluations without sufficient evidences, I suggest that with both the intrinsic and extrinsic knowledge of dance, critics need to evaluate dance work.

Abstract

This paper aims to examine the characteristics of dance criticisms in the 1990s --especially from 1990 to 1994 -- thereby exploring causes and clues of social problems of dance criticism. I discuss the reasons and types of art criticism, drawing on the arguments of John Hospers and Jerome Stolnitz. I investigate considerations for dance criticism, and analyze the focuses and characteristics of dance criticisms written by 5critics. As some of their criticisms show subjective evaluations without sufficient evidences, I suggest that with both the intrinsic and extrinsic knowledge of dance, critics need to evaluate dance work.

참고문헌 (33)

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