Acercamiento interdiscursivo al imaginario de la muerteen la narrativa de David Toscana: Narrativa mexicana de principios del siglo XXI
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The objective of this article is to point out the networks of feeling as well as the tensions produced by the criss-crossing of heterogeneous discourses in the novel by Mexican writer David Toscana. The article emphasizes the inter-textual dialogue with European literary works that employ the theme of Death at the same time as it highlights its inscription into an existentialist current. It also accentuates certain absurdist features and shows tinges of grotesque and also “crazy” realisms. The analysis brings into play the juxtaposition of discourses surrounding the fact of Death and of different fragments and images that evoke certain socio-cultural universes through the citation in the story. The study of the inter-textuality intends to de-sacralize the fact of Death arguing that Death is, above all, a generator of mercantile transactions.
Abstract
The objective of this article is to point out the networks of feeling as well as the tensions produced by the criss-crossing of heterogeneous discourses in the novel by Mexican writer David Toscana. The article emphasizes the inter-textual dialogue with European literary works that employ the theme of Death at the same time as it highlights its inscription into an existentialist current. It also accentuates certain absurdist features and shows tinges of grotesque and also “crazy” realisms. The analysis brings into play the juxtaposition of discourses surrounding the fact of Death and of different fragments and images that evoke certain socio-cultural universes through the citation in the story. The study of the inter-textuality intends to de-sacralize the fact of Death arguing that Death is, above all, a generator of mercantile transactions.
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