Fleshing Out: Intermedial Bodies and Dancers-in-Code
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Drawing on new media theory, particularly Mark Hansen’s notion of the ‘body-in-code’, this article explores the nature of the performing body as intrinsically intermedial. Wayne McGregor/Random Dance’s Undance and Klaus Obermaier’s Rites explore the very ontology of dance, the material body, in its relationship to the media technologies; bodies and technology are presented as both inherently and directly intertwined, inherently via processes of cultural-historical co-evolution and directly through interaction and intermediation. Rather than suggesting the disappearance or undoing of the body, these works reposition the human body as active in the framing and function of new media technologies.
Abstract
Drawing on new media theory, particularly Mark Hansen’s notion of the ‘body-in-code’, this article explores the nature of the performing body as intrinsically intermedial. Wayne McGregor/Random Dance’s Undance and Klaus Obermaier’s Rites explore the very ontology of dance, the material body, in its relationship to the media technologies; bodies and technology are presented as both inherently and directly intertwined, inherently via processes of cultural-historical co-evolution and directly through interaction and intermediation. Rather than suggesting the disappearance or undoing of the body, these works reposition the human body as active in the framing and function of new media technologies.
참고문헌 (24)
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