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문화적 민족주의의 발명: 멕시코 국민음악의 경우

Inventing the musical nationalism in the Postrevolutionary Mexico

이성형
한국라틴아메리카학회 (Latin American Studies Association Of Korea)|2006.12|라틴아메리카연구 (Asian Journal of Latinamerican Studies)|제19권 제4호|pp. 119-160

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참고문헌

키워드

cultural nationalism문화적 민족주의코리도멕시코적 전형복수의 멕시코란체라 음악lo tpicamente mexicanoMany Mexicoscorridomsica ranchera/ 문화적 민족주의란체라 음악.
주제분류지역학

초록

Abstract

This study presents an ethnomusicological examination of the rise and fall of musical nationalism after the Mexican revolution. The musical nationalism is one of the cornerstones of the mestizo identity building project enshrined by the postrevolutionary regimes. The movement shows well, like the mexican muralism, the state-driven character of the project to build up the collective identity by intellectuals mobilizing the popular and local musical resources.The research focuses on the historical and social context of nationalist fever and analyses the major currents involved in musical nationalism from 1921 to 1940s. In the first part, I explained the development of national and popular music from the Independence through the Mexican Revolution, to the first half of the twentieth century. In the second part, I analysed the more intentionally driven vanguardist-nationalist movement of art musicians: Carlos Chvez, Silvestre Revuelta, and the Group of Four, etc. The musical nationalism was slowly weakened when the ‘Mexican school of composition' lost their nationalist color by the influence of Americanization of intellectuals, the rise of consumerist culture among urban middle class. Also was instrumental the denial to subsidize the artists to compose the nationalist-popular tunes by the ruling bloc institutionalized by the hegemonic party.

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