발레 뤼스의 자본주의적 운영시스템에 관한 연구 - 벨 에포크 시기 프랑스 파리와의 연관성을 중심으로
Study on the Capitalist Management System of the Ballet Russes - Focusing on the connection with Paris, France, during the Belle-Époque period
0
조회
0
다운로드
1
인용
0
참고문헌
키워드
초록
The purpose of this study is to examine the capitalist management system of the Ballet Russes by exploring the relationship with the socio-cultural context of Paris, France, during the Belle Époque period. The research analyses the field of dance scene and economic situation of Paris during the Belle Époque period based on socio-cultural context. The second section investigates the two aspects of the capitalist management system of Ballet Russes; performance planning and marketing and the system of an organization and personnel management. A discussion led the Ballet Russes to implement a branding strategy for Russian national identity, a commercial strategy of ballet artistry by incorporating tour performances, and a star marketing strategy promoting affiliated dancers. Further, they recruited rising star dancers to nurture their talents and formed a supporters' association with influential individuals. As a result, the Ballet Russes became significant as a company in the era of free competition market during the Belle Époque period. It presented a modern art management model that encourages consumption and maximizes promotion in the process of producing and distributing works of art.
Abstract
The purpose of this study is to examine the capitalist management system of the Ballet Russes by exploring the relationship with the socio-cultural context of Paris, France, during the Belle Époque period. The research analyses the field of dance scene and economic situation of Paris during the Belle Époque period based on socio-cultural context. The second section investigates the two aspects of the capitalist management system of Ballet Russes; performance planning and marketing and the system of an organization and personnel management. A discussion led the Ballet Russes to implement a branding strategy for Russian national identity, a commercial strategy of ballet artistry by incorporating tour performances, and a star marketing strategy promoting affiliated dancers. Further, they recruited rising star dancers to nurture their talents and formed a supporters' association with influential individuals. As a result, the Ballet Russes became significant as a company in the era of free competition market during the Belle Époque period. It presented a modern art management model that encourages consumption and maximizes promotion in the process of producing and distributing works of art.
참고문헌 (32)
- 김말복, "무용 예술의 이해" (2003), 이화여자대학교 출판부
- 김말복, "무용예술코드" (2011), 한길아트
- 김말복, "로이 풀러의 아르누보적 상징", 무용예술학연구, 36(36), pp.1~18 (2012), 한국무용예술학회[DOI]
- 김서령, "디아길레프의 예술경영(Art management)에 관한 연구 - 조직 및 인력관리를중심으로", 무용예술학회, 5, pp.69~90 (2000)
- 김서령, "디아길레프의 예술경영(Art managemenet)에 관한 연구 : 조직 및 인력관리를 중심으로", 석사, 무용이론, pp.1999
- 데이비드 하비, "모더니티의 수도, 파리" (2003), 글항아리
- 로저 프라이스, "혁명과 반동의 프랑스사" (1993), 개마고원
- 류은하, "파리의 탈산업화: 산업체 이전의 양상과 원인 - 19세기 중반부터 20세기 중반까지를 중심으로", 프랑스사 연구, (28), pp.123~152 (2013), 한국프랑스사학회
- 리처드 버클, "니진스키 인간을 넘어선 무용" (1971), 을유문화사
- 리처드 오버리, "더 타임스 세계사" (1978), 예경
- 메리 매콜리프, "세로운 세기의 예술가들 1900-1918" (2014), 현암사
- 발터 벤야민, "파리의 원풍경" (1982), 새물결
- 빌리 하스, "세기말과 세기초 벨 에포크" (1967), 까치
- 샐리 베인즈, "춤추는 여성" (1998), 성균관대학교 출판부
- 서울대학교 불어문화권연구소, "프랑스 하나 그리고 여럿" (2004), 도서출판 강
- 앨리스 테어 덩컨, "아르누보" (1994), 시공사
- 임효진, "디아길레프(Sergei Diaghilev)의 무용공연 기획스타일에 관한 연구", 석사, 무용학, pp.2011
- 임효진, "디아길레프(Sergei Diaghilev)의 발레뤼스 공연기획 특징에 관한 연구", 무용예술학연구, 33(33), pp.111~134 (2011), 한국무용예술학회[DOI]
- 정준호, "스트라빈스키 종의 최후" (2008), 을유문화사
- 조앤 카스, "역사 속의 춤" (1993), 이화여자대학교 출판부
- 제랄드 조너스, "춤" (1992), 청년사
- Claude Debussy, "Correspondance de Claude Debussy et de Louis Laloy (1902-1914)", Revue de Musicologie, 48(125), pp.3~40 (1962)
- Hélène Laplace-Claverie, "Le spectaculaire dans les arts de la scéne - du romantisme à la Belle-Époque" (2006), CNRS
- Igor Stravinsky, "Memories and Commentaries" (2002), Faber and Faber
- Jennifer Hormans, "Apollo’s angel: a history of ballet" (2010), Random House
- John Drummond, "Speaking of Diaghilev" (1997), Faber
- Lynn Garafola, "Diaghilev's Ballets Russes" (1989), Oxford University Press
- Nigel Gosling, "The Adventurous World of Paris, 1900-1914" (1978), William Morrow and Company
- Peter Lieven, "The Birth of Ballets-Russes" (1973), Dover
- Sarah Gutsche-Miller, "Parisian Music-Hall Ballet, 1871-1913" (2015), University of Rochester Press
- Tim Scholl, "From Petipa to Balanchine" (1994), Routledge
- William C. Carter, "Marcel Proust: A Life, with a New Preface by the Author" (2013), Yale University Press