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디미트리스 파파이오아누(Dimitris Papaioannou)의 「위대한 조련사(The Great Tamer)」 기호학적 특성연구: 퍼스 기호학을 중심으로

A Study on the Semiotic Characteristics of Dimitris Papaioannou 「The Great Tamer」: Focused on Peirce's Semiotics

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The purpose of this study is to establish a successful channel of com- munication for both producers (choreographers) and consumers (appreciator) by enhancing the understanding of the works through logi- cal analysis of contemporary dance. Semiotics is the study of a kind of message targeting symbols. Among them, Peirce's semiotics, the founder of modern semiotics, is useful as a science that analyzes the In-depth structure that dance touches as art. Above all, it is beneficial because it understands the relationship between artwork and the icon sign, and provides a discourse on how it develops into an aesthetic indication and creates an emotional character of the art- work and artistic symbol. Therefore, the semiotic approach can be solved from the instability of the relativity and temporality of dance, which will be an excellent sol- ution to discuss the meaning of 'modernity' which contemporary dance has and the implications of the concepts presented at the stage of inter- pretation of works.

Abstract

The purpose of this study is to establish a successful channel of com- munication for both producers (choreographers) and consumers (appreciator) by enhancing the understanding of the works through logi- cal analysis of contemporary dance. Semiotics is the study of a kind of message targeting symbols. Among them, Peirce's semiotics, the founder of modern semiotics, is useful as a science that analyzes the In-depth structure that dance touches as art. Above all, it is beneficial because it understands the relationship between artwork and the icon sign, and provides a discourse on how it develops into an aesthetic indication and creates an emotional character of the art- work and artistic symbol. Therefore, the semiotic approach can be solved from the instability of the relativity and temporality of dance, which will be an excellent sol- ution to discuss the meaning of 'modernity' which contemporary dance has and the implications of the concepts presented at the stage of inter- pretation of works.

참고문헌 (6)

  1. Hartshorne Charles, "퍼스 기호학의 이해" (2013), 한국외국어대학교 출판부
  2. 얀 무카로프스키, "기호학과 시각예술:기호학적요소로서의 예술" (1995), 시각과 언어
  3. 강미정, "C. S. 퍼스의 기호학 연구 : 신미술사의 철학을 위하여", 박사, 미학, pp.2007
  4. 김지원, "한국 민속춤의 동작 코드와 의미 체계에 관한 연구", 박사, 무용학, pp.2006
  5. 김지원, "퍼스 기호이론의 무용기호학적 적용 연구", 대한무용학회 논문집, 50(50), pp.15~28 (2007), 대한무용학회
  6. 박연규, "퍼스 기호학에 있어 이미지와 은유", 철학논총, 2(36), pp.303~322 (2004), 새한철학회

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