셀라의 스페인 내전관련 소설들에 나타난 전율주의의 흔적
Traces of Tremendismo shown in Cela's novels relating to the Civil War in Spain
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
Tremendismo is characterized by the use of coarse language by instinctive as well as cruel and terrible descriptions of situations like murders, killings and injuries. Previous studies on Tremendismo were centered on 『La familia de Pascal Duarte』, one of Cela's representative novels and excluded his other novels. However, the flow of Tremendismo to Cela is not confined to this novel. His later published novels depict bloody, cruel and disgusting scenes very frequently and in diverse ways. 『La colmena』depicted a dog that had its middle run over by a taxi and was cut in half, and a man killed his wife with an awl. 『San Camilo 1936』depicted a woman who was cruelly murdered and thrown away and had her ears eaten by street cats, and a dog that had its sexual organ cut off with a knife during sex. When we read it, we feel terrible and tremble with fear. In 『Mazurca para dos muertos』, he depicted a man's body that was tattered like a sieve for filtering as he was hit by dozens of gunshots and a man who was cut into two pieces by a freight train, in which we can find the characteristics of Tremendismo. And therefore, it seems that there is no problem in using this term to describe the novels mentioned.
Abstract
Tremendismo is characterized by the use of coarse language by instinctive as well as cruel and terrible descriptions of situations like murders, killings and injuries. Previous studies on Tremendismo were centered on 『La familia de Pascal Duarte』, one of Cela's representative novels and excluded his other novels. However, the flow of Tremendismo to Cela is not confined to this novel. His later published novels depict bloody, cruel and disgusting scenes very frequently and in diverse ways. 『La colmena』depicted a dog that had its middle run over by a taxi and was cut in half, and a man killed his wife with an awl. 『San Camilo 1936』depicted a woman who was cruelly murdered and thrown away and had her ears eaten by street cats, and a dog that had its sexual organ cut off with a knife during sex. When we read it, we feel terrible and tremble with fear. In 『Mazurca para dos muertos』, he depicted a man's body that was tattered like a sieve for filtering as he was hit by dozens of gunshots and a man who was cut into two pieces by a freight train, in which we can find the characteristics of Tremendismo. And therefore, it seems that there is no problem in using this term to describe the novels mentioned.
참고문헌 (35)
- 권미선, "『두 망자를 위한 마주르카』에 드러난 카니발적인 세계관", 이베로아메리카, 12(1), pp.1~22 (2010), 중남미지역원
- 송선기, "셀라의 소설: 폭력과 죽음의 묘사를 통한 과거의 기억", 스페인어문학, (51), pp.139~160 (2009), 한국스페인어문학회
- 임호준, "최근 한국과 스페인의 영화에 나타난 전쟁의 기억과 재현: 신화화에 대한 고찰", 스페인어문학, (72), pp.375~400 (2014), 한국스페인어문학회
- 정동섭, "전율주의적 시각에서 본 로뻬스 삐니요스와 셀라", 서어서문연구, (17), pp.475~490 (2000)
- 정동섭, "리얼리즘과 전율주의 - 빠스꾸알 두아르떼 가족 , 씬따스로하스 , 마르셀로 브리또 를중심으로 -", 스페인어문학, (22) (2002), 한국스페인어문학회
- 조민현, "오르테가 이 가세트와 바로하 사이의 소설에 대한 논쟁과 그 문학적 의의", 스페인어문학, (73), pp.239~260 (2014), 한국스페인어문학회
- 프리들렌제르, "리얼리즘의 시학" (1986), 열린책들
- Barrero Pérez, Oscar, "en la ‘introducción’ a El cuento español 1940-1980" (1989), Castalia
- Blanco Vila, Luis, "Para leer a Camilo José Cela" (1991), Palas Atena
- Breiner-Sanders, Karen E., "La familia de Pascual Duarte através de su imaginería" (1983), Editorial Pliegos
- Cabañas, Pablo, "Camilo Jose Cela, novelista", Cuadernos de Literatura, pp.87~114 (1947)
- Cela, Camilo José, "La familia de Pascual Duarte" (1965), de Las Américas Publishing Company
- Cela, Camilo José, "La Colmena" (1967), Noguer
- Cela, Camilo José, "El molino de viento" (1971), Noguer
- Cela, Camilo José, "Nuevas andanzas y desventuras de Lazarillo de Tormes" (1973), Destino
- Cela, Camilo José, "Mazurca para dos muertos" (1983), Editorial Seix Barral
- Cela, Camilo José, "El cuento español 1940-1980" (1989), Castalia
- Cela, Camilo José, "San Camilo, 1936" (2003), Alianza Editorial
- Cerrada Carretero, Antonio, "La novela en el siglo XX" (1983), Playor
- Conte, Rafael, "La obra literaria de Camilo José Cela, II Curso de Verano dedicado a la obra literaria de Camilo José Cela" (1997), Fundación Camilo José Cela
- García Viño, Manuel, "La novela española desde 1939" (1994), Anexos
- García Viño, Manuel, "La novela española de Posguerra" (1971), Publicaciones españolas
- J. M. Castellet, "Camilo José Cela: la vida y obra", Revista Hispánica Moderna, 28, pp.128~130 (1962)
- Ille, Paul, "La novelística de Camilo José Cela" (1978), Gredos
- Mallo, Jerónomo, "Caracterización y valor del tremendismo en la novela española contemporánea", Hispania, 49, pp.49~55 (1956)
- Ortega, José, "Antecedentes y naturaleza del tremendismo en Cela", Hispania, 48, pp.21~28 (1965)
- Predmore, R. LIlle, "Paul, La novelística de Camilo José Cela" (1978), Gredos
- Sánchez Salas, Gaspar, "Apuntaciones críticas sobre la obra de Camilo José Cela" (2004), Ediciones Carena
- Sanz Villanueva, Santos, "Tendencias de la novela española" (1972), Edicusa
- Sobejano, Gonzalo, "La novela española de nuestro tiempo" (1975), Madrid;Prensa española
- Torres Ríoseco, Arturo, "Primer novelista española contemporáneo", Revista Hispánica Moderna, pp.166~171 (1962)
- Ynduráin, Domingo, "Cela en la narrativa de postguerra", Signa, 4, pp.37~49 (1995)
- Zamora Vicente, Alonso, "Camilo José Cela: Acercamiento a un escritor" (2010), Gredos
- Zubiaurre, Antonio de, "Tremendismo y acción", Alferez, Madrid, n2 (31-III) 2, ~ (1947)
