“타자” 알레고리를 해체하는 제 삼 세계의 인도주의 진 리스의 『광활한 싸가소 바다』
The Third World Humanism Deconstructing the Allegory of the “Other” : Jean Rhys’s Wide Sargasso Sea
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Abstract
The Third World Humanism Deconstructing the Allegory of the “Other” : Jean Rhys’s Wide Sargasso Sea This paper addresses Gayatri Spivak's claim that Jean Rhys pays insufficient attention to the blacks and aboriginals in Jamaica by contrasting Antoinette, a white creole woman, with Edward Rochester, a white English, in her novel Wide Sargasso Sea. Spivak's claim originates from her adhesion to the rhetoric of bipolar allegory. Such an adhesion may well result in her taking little notice of the colored ex-slaves' complicated and delicate control over Edward Rochester and Antoinette Cosway Mason. The network of inter-personal, inter-racial, and inter-class, border-crossing mutual impact among major and minor characters pervades Rhys's text, intimating the authorial intention to subvert and explode allegorical dualistic boundaries. The examination of Antoinette's relationship to Tia, her only playmate in youth, to Amelie, a half-caste servant who seduces Rochester, and to Annette, her mother who is violated by colored men, will expose how Rhys disintegrates the allegorical understanding of colonialism, capitalism, and woman, composed from the western white patriarchal perspective, and offers a fresh vision from the third world women's perspective. The above analysis will identify Rhys's discourse as the subversive chain of allegory, disrupting the allegory of the "other" in particular, which is presumed to have encouraged colonial invasions.
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