카즈오 이시구로의『우리가 고아였을 때』에 나타난대안전 '본향＂차기와 ＂본향 상실적＂ 글쓰기
Finding "Home" within the "Homless" Mode of Writing in Kazuo Ishiguro's When We Were Orphans
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Abstract
Finding “Home” within the “Homless” Mode of Writing in Kazuo Ishiguro’s When We Were Orphans The purpose of this article is to examine the “homeless” mode of identity and literary fiction through Kazuo Ishiguro’s “When We Were Orphans.” Ishiguro is seeking to create a literary model for a “international” mode of identity and imagination as a “homeless” writer writing from cultural borderland. Freud’s definition of “The Uncanny (Das Unheimlich)” coincides remarkably with the fictive technique pursued by Ishiguro in this novel. Freud defines the uncanny as an overwhelming sensation of alienation experienced in the presence of an event presumed familiar, and he formulates the destabilization of binary opposition between the familiar and the strange, presence and absence, homey and foreign, as one of the fundamental features of the uncanny. Ishiguro takes “home” as the point of departure for his search for an alternative idea of home and writing. He tries to find the moment of uncanny in everyday setting, especially, in the banal stereotypes and images, and shows the subtle displacement and subversion of the signification within this uncanny moment. Ishiguro also attempts to explore the alterative space of writing through the uncanny effect of the Fantasy in this novel. The uncanny moment of Fantasy breaks the realistic mode of writing and creates the possibility of an openness towards something other, something strange and alien mode of writing.
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