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Masqueraded Text and Its Unreadability in Herman Melville's Confidence-Man

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Herman Melville's The Confidence-Man is often discussed with Bahktinian notion of mask/masquerade in order to explain the various avatars of the confidence-man. However, Melville uses masks to reveal epistemological problems in the relationship between writer and reader. With the various use of masks every chapter, he attempts to create various narratives in the grand-narrative in a way to interact between writer and reader. In doing so, he aims to form the undetermined meanings of the narrative that can be made both by writer and reader. However, Melville shows that when they fail to create such a cooperative narrative, the narrative becomes unreadable. Melville's various characters attempt to reach such a proper narrative through the confidence-man's continuous contact with various passengers on the steamboat, the microcosm of American society. However, he fails to show this and gives reader the landscape of the nation full of distrust and leave the text with unreadability for reader.

Abstract

Herman Melville's The Confidence-Man is often discussed with Bahktinian notion of mask/masquerade in order to explain the various avatars of the confidence-man. However, Melville uses masks to reveal epistemological problems in the relationship between writer and reader. With the various use of masks every chapter, he attempts to create various narratives in the grand-narrative in a way to interact between writer and reader. In doing so, he aims to form the undetermined meanings of the narrative that can be made both by writer and reader. However, Melville shows that when they fail to create such a cooperative narrative, the narrative becomes unreadable. Melville's various characters attempt to reach such a proper narrative through the confidence-man's continuous contact with various passengers on the steamboat, the microcosm of American society. However, he fails to show this and gives reader the landscape of the nation full of distrust and leave the text with unreadability for reader.

참고문헌 (15)

  1. Bakhtin, Mikhail., "Rabelais and His World" (1984), Indiana UP
  2. Bell, Peter J., "Melville's Confidence-Man: An Uncharitable Interpretation", American Literature, 59(4), pp.548~569 (1987)
  3. Burnett, D. Graham, "Metaphysics, Money & the Messiah: a Conversation about Melville's The Confidence-Man", Deadalus, 136(4), pp.101~114 (2007)
  4. Cole, Rachel., "At the Limits of Identity: Realism and American Personhood in Melville's Confidence-Man", Novel, 39(3), pp.384~401 (2006)
  5. Dryden, Edgar., "Melville's Thematics of Form: The Great Art of Telling the Truth" (1968), The Johns Hopkins UP
  6. Feidelson, Charles, Jr., "Symbolism and American Literature" (1953), U of Chicago P
  7. Hoffman, Daniel G., "Form and Fable in American Fiction" (1961), Oxford UP
  8. Howard, Leon., "Herman Melville: A Biography" (1951), U of California P
  9. Lee, A. Robert., "Herman Melville: Reassessments" (1984), Vision Press Ltd
  10. McWilliams, John P., "Hawthorne, Melville, and the American Character: A Looking-Glass Business" (1984), Cambridge UP
  11. Melville, Herman., "The Confidence-Man: His Masquerade" (1999), Oxford UP
  12. Parker, Hershal., "Herman Melville: A Biography. Vol. 2" (2002), Johns Hopkins UP
  13. Renker, Elizabeth., "The Cambridge Companion to Herman Melville" (1998), Cambridge UP
  14. Seelye, John., "Melville: The Ironic Diagram" (1970), Northwestern UP
  15. Trimpi, Helen P., "Melville's Confidence-Man and American Politics in the 1850's" (1987), Archon Books

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