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모리슨의 『가장 푸른 눈』과 파농의 『검은 피부, 하얀 가면』

Morrison's The Bluest Eye and Fanon's Black Skin, White Masks

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Morrison's first novel The Bluest Eye is a book about racism and about the racial self-loathing, which is the devastating consequence of the racist culture. Pecola Breedlove, an American-African girl from an impoverished and dysfunctional family, becomes a poor victim of the society. Pecola wants to have blue eyes, the symbol of being white, in the belief that they are beautiful. In the last part of this story, she acquires them, but it is her allusion. Her consciousness is split into two voices, which means she is in the stage of insanity. According to Frantz Fanon, this kind of concept that Pecola has is shaped by the popular culture which is reinforced by the Eurocentrism, racism and dichotomy. That is, these discriminational ideologies nurture the society, in which the oppressed are made to feel a sense of inferiority. Inferiority, or coloniality is passed down to the next generation through the books, the media and the education, etc. In the course of transmission, it can be unconditionally absorbed and intensified. Those who have this feeling deny or reject their identities and values, and finally they end up being in the condition called 'alienation' by Fanon. The people faced with self-alienation lose their self-esteem and despise themselves. Fanon, in his book Black Skin, White Masks, urges the black and the readers to be out of this situation, coloniality. There are several decolonization strategies such as the violence of liberation by Fanon and the colonial difference by Mignolo. One of the strategies people can attempt to do in their daily lives might be Claudia's question.

Abstract

Morrison's first novel The Bluest Eye is a book about racism and about the racial self-loathing, which is the devastating consequence of the racist culture. Pecola Breedlove, an American-African girl from an impoverished and dysfunctional family, becomes a poor victim of the society. Pecola wants to have blue eyes, the symbol of being white, in the belief that they are beautiful. In the last part of this story, she acquires them, but it is her allusion. Her consciousness is split into two voices, which means she is in the stage of insanity. According to Frantz Fanon, this kind of concept that Pecola has is shaped by the popular culture which is reinforced by the Eurocentrism, racism and dichotomy. That is, these discriminational ideologies nurture the society, in which the oppressed are made to feel a sense of inferiority. Inferiority, or coloniality is passed down to the next generation through the books, the media and the education, etc. In the course of transmission, it can be unconditionally absorbed and intensified. Those who have this feeling deny or reject their identities and values, and finally they end up being in the condition called 'alienation' by Fanon. The people faced with self-alienation lose their self-esteem and despise themselves. Fanon, in his book Black Skin, White Masks, urges the black and the readers to be out of this situation, coloniality. There are several decolonization strategies such as the violence of liberation by Fanon and the colonial difference by Mignolo. One of the strategies people can attempt to do in their daily lives might be Claudia's question.

참고문헌 (17)

  1. 김용규, "지구화 시대의 문화연구와 로컬의 문화적 상상력- 혼종문화론" (2013), 소명출판
  2. 두셀, 엔리케, "1492년 타자의 은폐-‘근대성 신화’의 기원을 찾아서" (2011), 그린비
  3. 영, 로버트 J.C., "백색신화: 서양이론과 유럽중심주의 비판" (2008), 경성대출판부
  4. Bhabha, H, "The Location of Culture" (1994), Routledge
  5. Cixous, Hélène, "The Newly Born Woman" (2001), Minnesota P
  6. Choi, Chungmoo, "The Discourse of Decolonazation and Popular Memory: South Korea", Positions, 1(1), pp.77~102 (1993)
  7. Fanon, Frantz, "White Masks" (2008), Grove P
  8. Fanon, Frantz, "The Wretched of the Earth" (2004), Grove P
  9. Gandhi, Leela, "Postcolonial Theory : A Critical Introduction" (1998), Allen & Unwin
  10. John, "Ethnography and the Historical Imagination" (1992), Westview P
  11. Morrison, Toni, "Sula" (2005), Vintage
  12. Morrison, Toni, "The Bluest Eye" (1993), Vintage
  13. Roynan, Tessa, "The Cambridge Introduction to Toni Morrison" (2013), Cambridge
  14. Stepto, Robert, "Conversation with Toni Morrison", pp.10~29 (1994), UP of Mississippi
  15. Tuan, Yi-Fu, "Dominance and Affection: The Making of Pets" (1984), Yale UP
  16. Williams, Patrica J., "The Rooster's Egg: On the Persistence of Prejudice" (1995), Havard UP
  17. Young, Iris Marion, "Justice and Politics of Difference" (1990), Princeton UP

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