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The Iconography of Femininity in Pre-Raphaelite Painting

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초록

The Pre-Raphaelite oeuvre abounds in the image of women, which indicates the impact of gender question on contemporary visual culture. The representation of women in their art tends to evince the entrenched myth of womanhood, marked by a stereotyped dichotomy in the apprehension of femininity. Yet there are a significant number of pictures which attest to the point that their iconography of womanhood cannot be fully elucidated by exploring the dichotomy alone. They falsify the dyadic model, defying the attempt to accommodate them in a clean-cut category. The curious blend of the mystical, the sensual, and the domestic that characterizes these images suggests that they are open to multiple interpretations. In sum, the Pre-Raphaelite representation of women both endorses and challenges the ideal of femininity, indicating that it was shaped by and shaped contemporary perceptions of women at a time when gender relations were shifting and the traditional institution of patriarchy revealed a sign of strain.

Abstract

The Pre-Raphaelite oeuvre abounds in the image of women, which indicates the impact of gender question on contemporary visual culture. The representation of women in their art tends to evince the entrenched myth of womanhood, marked by a stereotyped dichotomy in the apprehension of femininity. Yet there are a significant number of pictures which attest to the point that their iconography of womanhood cannot be fully elucidated by exploring the dichotomy alone. They falsify the dyadic model, defying the attempt to accommodate them in a clean-cut category. The curious blend of the mystical, the sensual, and the domestic that characterizes these images suggests that they are open to multiple interpretations. In sum, the Pre-Raphaelite representation of women both endorses and challenges the ideal of femininity, indicating that it was shaped by and shaped contemporary perceptions of women at a time when gender relations were shifting and the traditional institution of patriarchy revealed a sign of strain.

참고문헌 (14)

  1. Auerbach, Nina, "Woman and the Demon: the Life of a Victorian Myth" (1982), Harvard UP
  2. Cherry, Deborah, "Beyond the Frame: Feminism and Visual Culture in Britain 1850-1900" (2000), Routledge
  3. Barnes, Rachel, "The Pre-Raphaelite and their World" (2001), Tate
  4. Barringer, Tim, "The Pre-Raphaelites", pp.148~163 (2012), Cambridge UP
  5. Bullen, J. B., "The Pre-Raphaelite Body: Fear and Desire in Painting, Poetry, and Criticism" (1998), Clarendon
  6. Dobbs, Brian, "Dante Gabriel Rossetti: an Alien Victorian" (1977), Prometheus
  7. Graham-Dixon, Andrew, "A History of British Art" (1999), U of California P
  8. Graham, Jenny, "The Pre-Raphaelites", pp.32~46 (2012), Cambridge UP
  9. Hilton, Timothy, "The Pre-Raphaelites" (1970), Thames and Hudson
  10. Ironside, Robin, "Pre-Raphaelite Painters" (1948), Phaidon
  11. Marsh, Jan, "Pre-Raphaelite Women" (1987), Weidenfeld and Nicolson
  12. Nead, Lynda, "Victorian Babylon: People, Streets and Images in Nineteenth-Century London" (2000), Yale UP
  13. Treuherz, Julian, "Victorian Painting" (1993), Thames and Hudson
  14. Wood, Christopher, "The Pre-Raphaelites" (1983), Weidenfeld and Nicolson

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