贾樟柯电影中的“枪”与暴力叙事
"Gun" and Violent Narration in Jia Zhangke's film
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贾樟柯的电影聚焦底层社会，记录小人物们的生存世界。社会转型所带来的社会暴力时刻压抑着底层社会，贾樟柯关注到这种暴力并常常在电影中再现。“枪”是贾樟柯再现暴力的重要符号，总体看来，“枪”在其创作历程中呈现“隐——显——隐”的特点，这一特点恰好反映了暴力的呈现特点，“枪”可以作为分析贾樟柯电影暴力叙事的一个最佳切入点。本文将以<任逍遥><天注定><江湖儿女>为主，结合他的其他电影，对贾樟柯电影中“枪”的暴力叙事特征进行分析。
Abstract
Jia Zhangke's film focuses on the underlying society and records the survival world of the little people. Social violence brought about by social transformation always suppresses the underlying society. Jia Zhangke is concerned about this kind of violence and often reproduces it in movies. "Gun" is an important symbol of Jia Zhangke's reappearance of violence. In general, "gun" presents the characteristics of "hidden-explicit-hidden" in his creative process, which exactly reflects the characteristics of violence. "Gun" It can be used as an optimal entry point for analyzing the violence narrative of Jia Zhangke's films. This article will focus on " Unknown Pleasures", "A Touch Of Sin" and "Ash Is Purest White", combined with his other films, to analyze the violent narrative characteristics of "gun" in Jia Zhangke's film.
참고문헌 (24)
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- "小山回家", ~ (1995)
- "站台", ~ (2000)
- "任逍遙", ~ (2002)
- "天注定", ~ (2013)
- "山河故人", ~ (2015)
- "江湖兒女", ~ (2018)