홍콩 영상매체 속 ‘내지 신이민’ 재현과 문화정치학의 변천
Cultural Politics and Representation of ‘New Arrivals from Mainland’ in Hong Kong Films and Television Series
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In the 1970’s, Hongkonger has created their local consciousness as permanent residents rather than temporal migrant, and started to construct their own cultural identities by representing the ‘New arrivals from mainland’ as ‘the other’ who has been supposed to have opposite features to Hongkonger. Popular visual media such as films and television series has been playing the key role in building Hongkonger’s identity and othering ‘New arrivals’. This paper explores the history of social changes and the context of identity conflict concerned with the ‘New arrivals’ in Hong Kong,and analyzes the representative politics in several significant texts from 1974, when the regulation on illegal border crossing has started up with the launch of ‘Touch-base policy’. For the past 40years, There has been some severe changes in representation of the ‘New arrivals’ in Hong Kong films and TV series, and it has been reflecting and also been influencing the cultural politics and articulation between Hongkonger, ‘New arrivals’, and China in the real world.
Abstract
In the 1970’s, Hongkonger has created their local consciousness as permanent residents rather than temporal migrant, and started to construct their own cultural identities by representing the ‘New arrivals from mainland’ as ‘the other’ who has been supposed to have opposite features to Hongkonger. Popular visual media such as films and television series has been playing the key role in building Hongkonger’s identity and othering ‘New arrivals’. This paper explores the history of social changes and the context of identity conflict concerned with the ‘New arrivals’ in Hong Kong,and analyzes the representative politics in several significant texts from 1974, when the regulation on illegal border crossing has started up with the launch of ‘Touch-base policy’. For the past 40years, There has been some severe changes in representation of the ‘New arrivals’ in Hong Kong films and TV series, and it has been reflecting and also been influencing the cultural politics and articulation between Hongkonger, ‘New arrivals’, and China in the real world.
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