신시기 상하이영화와 여성형상 ― 동화와 할리우드의 영향을 중심으로

Abstract

As the market economy grew in intensity after the New ERA, Shanghai films claimed to stand for commercial line, and it had the systems could come to mutual understanding with fairy tales and Hollywood films. And woman became a good material for take cinema audiences into theater, woman's sexuality was emphasized and became object and otherness. This study has analyzed the women's figuration of Shanghai films that named Suzhou Riverand A Beautiful New World forced on the influence of fairy tales and Hollywood films. Overall, the women's figuration of Suzhou River and A Beautiful New World emphasized their childish characteristics and sexuality, the elements of fairy tales and Hollywood films properly harmonized with each other. They brought woman into relief as inferior existence through comparison of both sexes and emphasized women's passivity and dependence, hereby they justified men's control and sexual objectification to women, and defended a male-dominated ideology. So we could be aware that the influence of fairy tales and Hollywood films played an decisive role in fixed the relationship between both sexes and enhanced a male-dominated ideology, and those are represented in Shanghai films in New ERA, too. But they changed unrealistic fantasy of fairy tales and Hollywood films into feasible realistic fantasy like A Beautiful New World or chose the different end with fairy tale like Suzhou River, they reinterpreted them by Chinese reality and reflected convincingly Chinese reality