만주영화협회(滿洲映畵協會)영화 「영춘화(迎春花)」

Abstract

This paper discussed the following for the 10th anniversary film Ying Chunhua. First, the paper considered how the Manchurian Film Cooperative which was in charge of disseminating the founding concept of Manchuria and promoting it internationally, expressed the founding concept of Manchuria in 「Ying Chunhua」 The discussion on Manchurian Film Cooperative summarizes the characteristics of Manchurian Film Cooperative relatively briefly in relation to the character of the movie Ying Chunhua. Second, the paper discussed Li Xianglan, the exclusive actor of Manchurian Film Cooperative, Li Xianglan has a transnational identity that is not limited to Manchuria and has many talents that support it. As a result, people from all over the world (China, Japan, korea, etc.) were able to desire each other as their "daughter" and national singer and actress, eventually establishing their position as East Asian stars. During this period, Li Xianglan played a role as a special intermediary to guarantee the convergence of China and Japan as a symbol rather than as a simple performer. Thirdly, the paper analyzed the narrative, characters, and space of Ying Chunhua. In discussing the narrative of Ying Chunhua, it led to the interpretation that 「Ying Chunhua」 showed the division of the main characters, unlike the previous Manchurian Film Cooperative, indicating the disappearance of Manchuria three years later. In discussing the physical activities of the Ying Chunhua character, the paper mentioned the colonial strategy of sports activities centered on the Japanese ‘swords management’ conducted by Murakawa. In discussing the space in Yingchunhua, the paper mentioned Japan's heterotopian landscape of pursuing Daitoa, and pointed out that the main characters were scattered without settling in the heterotopian space, arguing that this was a sign of the crack and dissolution of heterotopian properties.